What’s It Like To Be A Docent In The Hellhole Factory Where You Used To Work?

“Shelton is the only volunteer on the floor of the provocative [Kara Walker] installation who ever worked at Domino’s sugar refinery. Of the several ‘interpreters’ who are on hand to answer visitor questions, his is the only intimate connection to the factory. He found out about the exhibit through an article in the New York Times and knew immediately he wanted to be involved.”

Why The ‘Save The Corcoran’ Lawsuit Matters

Philip Kennicott: “A simple dismissal of their right to be heard will render any subsequent decision in the case illegitimate in the eyes of many Washingtonians, including much of the local arts community. Artists are essential to the cultural and economic vitality of the District, and they are arguing, in clear and compelling terms, that tearing up William Corcoran’s deed is bad for the sector they represent. And that’s bad for all of us.”