Spiraling Tensions At Frank Lloyd Wright Architecture School

The board of the Wright Foundation has decided not to incorporate its school at Taliesin as a separate entity – an organizational decision that, thanks to a change in the Higher Learning Commission’s rules, means the school will lose its accreditation in 2017. The school’s governors and faculty are, unsurprisingly, unhappy about this, amd they’ve begun rebelling against the Wright Foundation.

How Art Could Revitalize Outdoor Advertising?

“Besides prompting a conversation about the role of art in our daily lives and promoting the names of the five participating institutions—the Dallas Museum of Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Art in Washington, D.C., and the Whitney Museum of American Art in New York—the Outdoor Advertising Association of America, a trade group for out-of-home advertisers and an Art Everywhere U.S. collaborator, is hoping the project will get more people looking up and around again instead of down at their digital devices.”

Big Mayan Cities Discovered In Mexico

“Last week, the research center of the Slovenian Academy of Sciences and Arts announced that an archaeological expedition led by Ivan Sprajc has uncovered the remains of two Maya cities, Lagunita and Tamchen. Slowly, the blueprint of a vast civilization is materializing. In 2013, Sprajc’s team found the only other city, Chactún, in the nearly 1,900-square-mile area.”

Archaeologists Race To Excavate 2,600-Year-Old City Before It Becomes Copper Mine

“At the end of the year, state-owned Chinese mining company China Metallurgical Group will take control of an ancient Buddhist city in Afghanistan, Mes Aynak. Southeast of Kabul, the ancient, abandoned city is home to sculptures, art, and jewelry dating back to the time of Alexander the Great – as well as 5.5 million tonnes of copper ore, one of the world’s largest deposits.”

Is Banksy Over?

Is “Banksy, arguably the most well-known and successful graffiti artist in the world, now over? In other words, was his production permanently slowing down? Could he now be considered part of art history? Or would he start to mean less to the general public and the street art community?”