You’ll Finally Be Able To See All Of Michelangelo’s Work At The Sistine Chapel

“Michelangelo was said to have mixed the pigments for his work and painted the frescos using natural light, and for centuries, the only illumination came through the few windows in the chapel or from candlelight. In modern times, Vatican officials blocked off the windows for fear the sunlight would damage the frescos. In the 1980s, the museum installed a halogen system that emitted low-level lighting to protect the artworks.” Now, things are changing.

How To Deal With A Sudden, Massive Influx Of Tourists At Your One-Of-A-Kind Artistic Wonder

“Orchestrated by filling in black-and-red line drawings with bright mineral pigments, the paintings in Cave 85 and the rest of the grotto complex are a rich trove of Buddhist art, illustrating sutras, parables and myriad other aspects of the religion. But their significance extends far beyond that, for the illustrations are important sources of historical information.”

Directors Of Florence’s Museums Under Investigation For Abuse Of Office

“Three weeks after handing in her resignation, the superintendent of Florence’s museums, Cristina Acidini, is under investigation by the Italian authorities for abuse of office. Also under investigation are the city’s former superintendent Antonio Paolucci, now the director of the Vatican Museums, and Marco Fossi, another employee in Florence’s soprintendenza (now renamed the Polo Museale).”

EU Considers Banning Cadmium Pigments; Artists See Red

“The EU is weighing a restriction on the chemical following pressure from Sweden, which argues that artists pollute the food chain when they rinse their brushes in the sink. Cadmium ends up in sewage sludge and is then spread on agricultural land.” Responds one pigment maker, “Artists are not rotters; they are not tipping this stuff down the drain, it’s an expensive substance.”