“Le Moulin d’Alphonse Daudet à Fontvieille, which depicts vivid green grapevines leading up to a windmill with broken wings in the distance, is a work on paper that he created with graphite, reed pen and ink and watercolour shortly after he reached Arles, in the south of France.”
Category: visual
American Tourists Caught Carving Names Into Rome’s Colosseum
“The Californians, aged 21 and 25, snuck away from their tour group on Saturday and began scratching their initials into the amphitheatre with a coin. They managed a ‘J’ and an ‘N’ around 8cm high, before taking a selfie with their handiwork.”
“A Turning Point In Cultural History”: Why The Louvre Abu Dhabi Is Worth Celebrating, Despite Its Dark Side
Jonathan Jones: “Nothing excuses the inhuman working conditions that have been reported. But I suspect that when it opens, this audacious new museum will be admired as a world destination and artistic treasure house. And so it should be. For the Louvre Abu Dhabi is a turning point in cultural history.”
Who Stole (And Then Returned) An Oscar Murillo Painting From The Floor Of MoMA?
“Doyle said that the painting was unharmed, adding that ‘no action such as an arrest was taken.’ The painting was returned to the floor of the gallery, where, she said, ‘the museum will assure that there is the appropriate level of security in the exhibition.’ She did not say how the museum was able to identify the person who took the work, describing that as a ‘security matter.'”
Let’s Talk About Philip Guston’s Paintings, And How He Achieved Eerie Contemporary Status
“In much the same way as Brahms composed variations on themes from Haydn, Handel, Paganini, and Schumann, making their melodies his own by means of elaborate musical embroidery, Guston proved a skilled adapter of diverse sources, motifs, and mannerisms that came together in his hands as compelling, if still formative, works.”
The Mysterious World Of Art Attribution, And The Painting That Exploded In Value After It Became A Constable
“The anonymous buyer, an art dealer, had a hunch. Real Constables were often painted over during the 19th century, when their rough, seemingly unfinished quality put off prospective purchasers. So the dealer had it cleaned and took it to a leading Constable expert, Anne Lyles, a former curator at Tate Britain.”
The High Drama Of Curating London’s Serpentine Gallery
“Obrist (HUO to his colleagues) regularly tops lists of art’s most powerful. His network of proteges and followers extends around the world, and back again. There cannot be an artist alive of any note who has not had dealings with him of one kind or another. (Though it must be said that not everyone is convinced.)”
Los Angeles Has A Newish Mural Ordinance, And Its Effects Are Slowly Starting To Show
“With the restoration of the Olympic artworks nearly completed — and enjoying newfound freedoms brought on by the city’s passing of a mural ordinance in 2013 that lifted a decade-long ban on public murals —- the mural conservancy is now preparing to embark on new projects.”
Why Graphic Design Gets No Respect?
“Graphic design has always been the poor relation to its more lordly cousins… But graphic designers? If they’re lucky, they can pay through the nose for the chance to win a novelty yellow pencil.”
ISIS Takes Bulldozers To Destroy Ancient Site At Nimrud
“Many of the massive Nimrud statues remain buried at the site. But the ISIS video from the Mosul Museum clearly shows at least one statue from Nimrud being defaced. And the site has many areas that archaeologists have not yet explored.”
