How Art Helps New Orleans Students Deal With Their Post-Katrina PTSD

“Trauma is all about details. Trauma renders itself in certain songs, in the quality of the air against the sky, in colors of socks, in flavors of alcohol. When the human brain encounters a trauma, it makes quick decisions about what to remember, and it often remembers otherwise mundane details: the timbre of birdsong, or the specific shake of a tree’s shoulders. Sometimes the brain gets kind of obsessive about trauma.”

The Dissident Artist Who Was Detained For Eight Months In Cuba Speaks

“Until the last minute they want to mess with your head. They want to make you paranoid. At one point he said, ‘Someone close to you works for us.’ I said, ‘You’re not going to make me a paranoiac. I’ve been here for eight months and I am not a paranoiac.’ I understood they were watching me. But I would not let them make me a paranoiac. That’s what they do, they make you paranoid, they isolate you.”

Frank Lloyd Wright House Picked Up And Moved To Arkansas

“The Bachman-Wilson House, a New Jersey home originally designed in 1954 by world-famous architect Frank Lloyd Wright for Abraham Wilson and Gloria Bachman, was being threatened by repeated flooding at its original location along the Millstone River.” So the Crystal Bridges Museum bought it and moved it, and “the house is scheduled to open to the public on November 11, 2015, the museum’s four-year anniversary.”

The Complete MoMA Art Collection – All Of It – Available To See Right Now

“For each piece, the database tells us the work’s title, some brief biographical information about the artist, the year of creation, the medium and dimensions, and how and when MoMA acquired it. These aren’t exactly trade secrets: It’s basically the data printed on the placards posted next to each painting. But, in MoMA’s case, it’s assembled in one place, comprehensive, easy to use, and recent. The museum made the database freely available online last month.”

Photography As A Weapon

“The weaponization of photography is a partial reflection of a modern culture that is willing to consume and interpret imagery without analysis or concern for who might be victimized by the image. And the rate at which photos and video can spread online feeds this insatiable consumption. It wasn’t always like this.”