Have You Noticed The Odd Reviews Of The New Whitney Museum?

“Critics of the Whitney have made this problem particularly clear by their tendency to heap praise on the galleries while expressing indifference or hostility toward the building as a whole—a schizy split often reflecting a division of editorial labor in which the art critic cheers how great the art looks and then hands off to an architecture critic to trash the structure that houses them.”

Can A Good Poster Still Change The Zeitgeist? Definitely

“From Ben Shahn’s anti-H-Bomb design to the Guerrilla Girls’ campaign against gender inequality in art museums, posters have a long history of engaging and informing people through a mixture of artistry, wit, and economy. It would be easy to assume that posters have lost some of their impact in a hyper-connected landscape. But in many ways, the rise of social media has given protest and advocacy posters a bigger audience than ever before.”

Pressure’s On: Boston’s MFA Expecting Very Big Things From Its New Director

The MFA expects Matthew Teitelbaum to lead the charge in ambitious programming, acquisition, preservation, scholarship, and fundraising. And, after meeting him at a community breakfast in September and listening to his list of priorities — compiled after he had spent less than 100 days on the job — it is clear that the governing MFA board also expects him to shake the place up a bit, too.

Legendary Lebanese Museum Reopens After Makeover

During the Sursock Museum’s $15m (£9.8m) renovation, workers dug a cavernous exhibition hall four stories under the mansion, and built a 166-seat auditorium, workshops for painting restoration and a library housing books, archival photographs, and news clippings. Sursock’s original rooms have been restored with the help of an international group of artisans.