The Rehabilitation Of One Of Los Angeles’ Most Contested Pieces Of Public Art

“‘He wanted to invent a new theory that would interweave color and music through the technology of the Triforium,’ said Leslie Young, one of the artist’s two daughters who spoke recently at the fundraising event. ‘As part of his fantastical plan, my father proposed that laser beams would shoot skyward from the three concrete pillars, tapping out Los Angeles in Morse code,’ said Cecily Young, Joseph Young’s other daughter.”

London ‘Garden Bridge’ Idea Hits Some Serious Bumps

“The fairy lights of a Christmas market twinkled through the windows while tourists shuffled along the south bank clutching cups of mulled wine, oblivious to the heated debate going on inside the chamber. The mayor had been summoned, along with the head of Transport for London Mike Brown and its planning director Richard de Cani, to explain themselves to the Greater London Authority’s Oversight Committee over the murky genesis of the proposed garden bridge. And Boris, chief bridge booster, was getting increasingly hot under the collar.”

The Prado And Spain’s Royal Collections Make Peace In Their Battle Over Bosches

“National Heritage officials [have] backed off a bid to transfer [four] paintings – Hieronymus Bosch’s triptych The Garden of Earthly Delights and Table of the Mortal Sins; Tintoretto’s The Foot Washing; and Rogier van der Weyden’s Descent from the Cross – to a €160m museum due to open in Madrid by 2017 to house the Royal Collections.”

New Director Starts To Calm The Waters At Turbulent Miami Art Museum

“[Franklin Sirmans] had just started his job as director of the Pérez Art Museum Miami at a time when the institution had committed to increasing its private contributions and art collection in a city without a tradition of cultural philanthropy – and with a benefactor who alienated the potential donor base by having the new building named after himself.”

With A Revamped National Gallery, Singapore Hopes To Make Itself The Nerve Center Of Southeast Asian Art

“More than 600 million people live in the 10 Asian nations roughly south of China and east of India, in what Eugene Tan, the director of the National Gallery, described as ‘one of the most culturally diverse regions in the world.’ Yet much of its art has been overlooked by the West, and many significant works have been confined to private collections, partly a legacy of colonialism.”