Numbers: A Boom In Private Museums Worldwide

The report’s most starling statistic may be that 53% of the world’s private contemporary art museums were founded between 2001 and 2010. Another 18% have been founded since 2010, which lends further credence to the widespread perception that more and more wealthy collectors are opting to build their own museums rather than pledge their holdings to existing institutions

How The Museum Visitor Experience Has Been Transformed

“In plain terms, across the field, in museums, art institutions, performance forums, and even historical societies, the visitor’s experience is now being personalized. This means that not only is the visit marked by enhanced, interactive, and “dialogic” engagement, but also there is an institutional recognition of the visitor as an independent maker of meaning who uses the museum in a variety of ways to fulfill particular, individual needs and desires.”

The Futurist Chinese City That No One Went To Live In (Until Now)

“The district of Kangbashi in Inner Mongolia, … widely labelled a ghost town, stands as a cautionary tale of over-investment, home to grand feats of architecture and real estate that rose out of eagerness and ambition, but never received [a] human population … In the last few years, however, Kangbashi has actually witnessed an influx of new residents.”

Has The Met Museum Finally Figured Out How To Think About Collecting Contemporary Art?

In the transition period before taking over as director, Tom Campbell gave himself a crash course in contemporary art. He slogged through galleries and art fairs and biennials, studied the auction market, talked with artists and dealers and curators, and concluded that “something extraordinary” was happening. “There was such a level of energy and activity, partly because of globalism, partly because of media and publicity… I felt there was a sort of neo-Renaissance that the Met should be part of.”