The Joy Of Crooked Buildings (Eat Your Heart Out, Leaning Tower Of Pisa!)

“The buildings that often get the most praise (one famed tower in Pisa not withstanding) are those that stand up straight, refuse to bend or bow over time. But those buildings are boring. The really compelling constructions are those buildings that, despite looking like they are slowly keeling over, continue to stand, and continue to be used.”

The Case For Not Repairing Palmyra

“How can these terrible losses be put right? That seems to be the question archaeologists are asking. It seems to be what the world expects. Yet it may be the wrong approach. Restoration is a delicate art, and the responsible preservation of antiquities has to mean accepting the finality of loss where rebuilding might be deceitful.”

This Graffiti Artist Defaces Fashion Posters And (Surprise!) The Fashion Industry Embraces Him

Posters for brands like Christian Dior and Chanel went missing; at his studio, Michael De Feo covered the models in cheerfully painted bouquets and returned the posters before anyone noticed. Fashion companies are loath to let street artists tinker with their messaging. (Who wants a mustache on Julia Roberts’s face?) But somehow, designers are embracing Mr. De Feo’s colorful approach.

London’s Serpentine Galleries Appoint Philanthropist/Entrepreneur As New Director

“Julia Peyton-Jones, who put the institution on the international map, is stepping down as co-director this month after 25 years at the helm. Jana Peel will work in partnership with Hans Ulrich Obrist who has been at the Serpentine since 2006 as co-director of exhibitions and programmes. He takes on the new role of artistic director.”

Did A Lost Caravaggio Just Turn Up Underneath A Leaky Roof In France?

“The mysterious 400-year-old canvas was only found by accident when the owners of a house near Toulouse went to fix a leak in the ceiling. The large, remarkably well-preserved canvas of the beheading of the general Holofernes by Judith, from the apocryphal Book of Judith, was painted between 1600 and 1610, specialists estimate. And many experts believe it could be a work by the Milan-born master, Caravaggio.”