How Van Dyck Created Modern Portraiture

“Van Dyck focused on the subject’s attitude toward being in the picture, a joint venture of artist and sitter that continues to this day as a model, or a foil, for artists like Kehinde Wiley, Elizabeth Peyton, and Cindy Sherman. We might include earlier practitioners as well, like Lucien Freud and Alice Neel, or, to cast a wider net, photographers Cecil Beaton, Irving Penn, and Richard Avedon.”

An Ideally Kafkaesque Statue Of Kafka

David Černy’s K. “stands ten meters high, and renders the author’s arresting chiseled face … in a constantly-morphing assemblage of metal. His face is both perennially staring over the plaza … and yet never static or fully graspable. This is only exactly like the omnipresent but inscrutable Court that presides over Josef K. in The Trial, knowing exactly where he is and what he’s doing; present in everyone around him from clueless petty officials to teenage prostitutes, and yet unable or unwilling to present him with a formal charge.”

SFMoMA’s Trophy Art – So Where’s The History?

“Why are so many works by single artists — male artists who enjoy art-superstar reputations — hung as if animating visual encyclopedia entries, occupying one gallery upon the next upon the next? And whose idea was it to do it this way? For the influential donors of the new SFMOMA, political art appears never to have been invented.”

Qatari Royal Family And Gagosian Client Settle Lawsuit Over That Picasso Bust Of Marie-Thérèse

“A settlement was reached in an international legal drama over Picasso’s plaster Bust of a Woman pitting two of the world’s biggest art buyers against each other, New York billionaire Leon Black versus a member of Qatar’s royal family. But who now owns the 1931 sculpture, depicting the artist’s then-mistress and muse, Marie-Therese Walter, remains a secret.”