Some Aesthetic Misgivings About Christo and Jeanne-Claude’s Floating Saffron Piers

“It is undeniable that “Floating Piers” has tapped into the public imagination, drawing 270,000 visitors within the first three days of opening and over 500,000 to date. But if we are to take the work as a purely artistic statement (and a very popular one), it is nonetheless one that connects the private villa of an arms manufacturer to the mainland, drawing the parched masses to the Beretta family’s closed doors. I came, I saw, and I left feeling that a beautiful lake had been mired by a large-scale reinforcement of the social fabric: a paean to neo-feudalism, no less.”

What’s Behind The Disaster At USC’s Art School?

The departure of HaeAhn Kwon, this year’s only enrolled MFA student, “a year after an entire class of seven studio art MFA students withdrew from Roski to protest curriculum changes and staff defections, is prompting new questions about USC’s commitment to the fine arts and renewed accusations that the university cares more about buzzy programs.” Carolina Miranda reports.

Richard Avedon Paid His Printer With Prints… And That Is A Problem

The prints were Mr. Hofmann’s reward for his labor, he said, explaining that he struck a deal with Avedon in the fall of 1984: instead of money, he would be paid with a signed print of everything he produced for the project. “Dick had no conception of what people lived on, and asking him for money was difficult,” he explained. “Being paid in prints seemed the path of least resistance.” But there is a snag. None of Mr. Hofmann’s prints from the series is signed.