Counting Up The Art Damages From Italian Quake

“No artworks with the cachet of a Leonardo, Michelangelo or Giotto are among those lost in the quake. But art historians stress that local art of whatever pedigree helps to explain the cultural and artistic contexts that inspired the great masters. And just as importantly, local pride over this artistic heritage in churches or piazzas binds these centuries-old towns to their past.”

Have We Lost Interest In Old Masters Art?

“At a time when contemporary art is all the rage among collectors, viewers and donors, many experts are questioning whether old master artwork — once the most coveted — can stay relevant at auction houses, galleries and museums. Having struggled with shrinking inventory and elusive profits, auction houses appear to be devoting most of their attention and resources to contemporary art, the most popular area of their business.”

Hard Lessons About How The Art-Buying World Works, Courtesy Knoedler Fakes Scandal

“For collectors seeking information on the authenticity of specific works of art, there is no repository of authenticators’ reports, and experts doubt the value of a database that buyers could consult the way they check for stolen art (for example, through the Art Loss Register or Art Recovery Group). For one thing, not all reports are reliable.”

When Works Of Art Come Apart (Or Get Knocked Down, In Banksy’s Case)

“Often, the issues can be traced back to the artists themselves. While painting’“The Last Supper’ in Milan in the 1490s, Leonardo da Vinci tried a number of oil-paint experiments, hoping to achieve better effects by painting on dry wall rather than on wet plaster. Within 20 years, the masterpiece was flaking off the wall, creating an ongoing headache as experts argued over which parts were authentic and which had been added by overzealous restorers.”

Taking Art World Sexism And Making It Into Art

“Language started creeping into her work after this episode, with ‘Censored’ drawings, explicit images over which Tompkins laid a grid, stamping ‘censored’ on the offending areas. ‘I censored my own pieces. I felt I could do it better than anyone,’ Tompkins told me. ‘It was in reality a way to stay sane. Being censored is a really nasty business.'”