Once Again, A Canadian Panel Finds That An Annie Leibovitz Collection Is Not Fully ‘Significant’

The decision has major tax implications for the donor that donated the collection to the Art Gallery of Nova Scotia in 2013. “‘We disagree with the decision,’ the museum said in a statement. ‘We consider Annie Leibovitz to be one of the most influential photographers of her time and feel the collection is culturally significant — to our province, our country and internationally.'”

New York Developers Fight To Get Name Artists To Make Work For Their New Condo Projects

“New residential developments across the city are installing significant works by artists both emerging and established in outdoor plazas, lobbies, common spaces and model units. Where developers previously battled over big-name architects and all-out amenity spaces, from pet spas to hamams, many are now turning their attention to outsize art projects.”

Air India Once Amassed The World’s Greatest Collection Of Modern Indian Art – What’s Happened To It?

They don’t know – and that’s the problem. For much of the state-owned airline’s history, it was one of a very few serious buyers of living Indian artists’ work – in effect, a national art patron. Now that much of that artwork is worth many thousands of dollars (or more) a piece, there’s no proper inventory of what Air India bought over the years or where it’s supposed to be – and some of it has been turning up in the private market.

Protesters Demand That ICA Boston Cancel Dana Schutz Show Because Of ‘Open Casket’ (Which Is Not In The Show)

Evidently believing that Schutz hasn’t been punished enough for having shown her painting of the murdered Emmett Till at the Whitney Biennial, a group of activists wrote in an open letter, “The institution will be participating in condoning the coopting of Black pain and showing the art world and beyond that people can co-opt sacred imagery rooted in oppression and face little consequence … Please pull the show. This is not about censorship. This is about institutional accountability.”

Ousted Met Museum Director Thomas Campbell Lands Next Gig: Getty Rothschild Fellowship

“Thomas P. Campbell, who last month ended his tumultuous tenure as chief executive of the Metropolitan Museum of Art, has been chosen as the second recipient of the Getty Rothschild Fellowship … The fellowship supports scholarship in art history, collecting and conservation, offering art historians, museum professionals or conservators up to eight months of research and study at the Getty in Los Angeles and Waddesdon Manor in Buckinghamshire, England.”