The Joy Of Ugly, Kitschy, Weird-Ass Design

“Since the dawn of the twentieth century, our understanding of good design has had a slightly moralizing tone, even as it shifted from early Bauhaus to boxy midcentury modern and into the sleek … white cubes of twenty-first-century Minimalism. … Ugliness isn’t just a rebellion against the norms of good taste; it’s also a fittingly chaotic aesthetic for a chaotic era of presidential tweets, alternative facts, and government propaganda.”

Artist’s Daughter Sues Corcoran Museum To Get Back Art Works

Public display of Pascal’s work was a condition of the 1994 contract signed by Corcoran director David C. Levy and several Tyler Art trustees, including Petty. The trust gave the museum about 100 pieces of art and $1 million “to cover costs associated with establishing and maintaining the permanent gallery and the collection,” according to court filings. The agreement states that the art and the cash gift must be returned if the Corcoran “has not complied with the conditions.”

In Buenos Aires, Art Basel Beta-Tests Its New Program To Make Cities Into Art Capitals

“A breezy, sunny week in Buenos Aires ushered in the inaugural initiative for Art Basel Cities, one of the latest endeavors from the eponymous art fair powerhouse. … Working essentially as long-term consultants for Buenos Aires, Art Basel hopes to strengthen the local cultural scene and create more global awareness of the city’s cultural offerings.”

16 Critics Who Changed the Way We Look at Art

Alina Cohen’s list for Artsy goes all the way back to Pliny and right up to Jerry (but not Roberta). It’s mostly white males (there’s one 6th-century Chinese scholar), but three of the seven 20th-century critics are women. (Also, it must be said that three or four individuals on this list would not be considered by most people to be art critics as such.)

Brazilians Are Crowdsourcing Images Of Works Lost In National Museum Fire

“While most Brazilians were still reeling from the devastating fire at the country’s National Museum last week, Luana Santos and fellow museum studies students in Rio de Janeiro had started gathering photos and videos of missing items, and even selfies taken by visitors to the vast archive. … Within hours, their appeal went worldwide; so far, it has received 14,000 replies – including videos, photos, written recollections and even drawings of favourite exhibits.”