TRADING ART AND ARTISTS

Hong Kong and Berlin aren’t two cities usually associated with one another. But this summer artwork by 1000 Berlin and Hong Kong artists will be swapped for large exhibitions. Then, 200 artists from each will visit the other and do residences. Organizers of the project feel there are natural links between the two cities – “both have been politically reorganized and are currently trying to redefine themselves, particularly in the cultural, economic and political spheres; both function as a window (Hong Kong to China, and Berlin to Eastern Europe); and both are in the process of transformation.” – South China Morning Post (Hong Kong)

RETURN TO SENDER

At a Europe/Africa summit conference, representatives of 52 African countries have asked European countries to return cultural treasures taken during colonial times. Items “in dispute include the Sphinx’s beard from Egypt, an obelisk from Ethiopia and a golden throne from Ghana.” – CBC

SO MAYBE IT’S GOOD THE ARCHITECTURE DOESN’T FIT IN?

Groundbreaking for Beijing’s new French-designed $567 million performing arts center took place this week. Plans for an official celebration were called off because of controversy over the project. “Critics of the project say the futuristic design by French architect Paul Andreu is a waste of money and is out of keeping with Chinese and Stalinist architecture of China’s capital.” – China Times

THE TATE USED TO BE A MUSEUM

But with its makeover into the House of Britain, it’s fallen down on the job, writes one critic. “Now it is a card table on which teams of spectacularly ignorant modern curators play snap with the nation’s heritage. Here’s a 17th-century portrait of a squat Englishman. Here’s a 20th-century portrait of a squat English dog. They’re both squat, so let’s hang them together. Snap!” – The Sunday Times (UK)

WHO OWNS ART

In the 1950s Maxfield Parrish gave employees of the Windsor County National Bank a painting he had done to thank them for the help they gave him, month after month, balancing his accounts. The bank’s been sold a couple of times, and the painting has appreciated in value; it’s worth several hundred thousand dollars. The bank’s new owners tried to sell it, but the townspeople are mobilized for action to save their much-loved civic treasure. – Boston Globe

CULT OF THE NEW

“Every year fresh new ranks of art-producers rise up almost fully-formed from the art schools, au fait with the current ways of art-knowingness, hard on the heels of their predecessors, intent on subverting the art world hierarchy and establishing their own rightful niches within it. They have to be seen to be doing something different from what was done before, or revamping the old in contemporary guise, to live up to and perpetuate the Western art tradition of continual innovation.” That we’re in a new millennium only accelerates the quest. – *spark-online