HIT ‘EM WITH A ONE-TWO PUNCH

After more than four years without a major show, Damien Hirst – the “original enfant terrible” of the contemporary British art scene, whose shark in formaldehyde stirred up controversy at the Brooklyn Art Museum – is back with a new batch of work, and it’s just as theatrical and button-pushing as ever. “You get people to think one thing, and then you come round from another direction.” – The Guardian

IT’S OUT THERE

East London’s Hoxton neighborhood is quickly acquiring “status as the new center of the capital’s contemporary art market.” More than 30 new galleries have popped up there in the last few years, including the White Cube2, which opens later this week with its inaugural show, “Out There.” – The Telegraph (UK)

DEVELOPMENT DREAMS

Last chance, says a Boston developer, to do something dramatic with a piece of the city’s waterfront. “One scenario features a dramatic structure resembling the Sydney Opera House, surrounded by green space on 4.6 acres on choice waterfront property. A second would involve a smaller civic building being built near the Federal Court House on a two-thirds acre plot.” – Boston Herald

NO ONE SAID IT WOULD BE EASY

Efforts by the Art Loss Register to repatriate Nazi-confiscated artworks to their rightful owners have been stymied by a little-known German tax code. “We certainly have the impression that there exists a willingness to return property to its legal owners,” says the Register’s director Sara Jackson. “However, it is unclear to us how this willingness corresponds with a German law that went into effect in 1988.” – Haaretz (Israel)

PURE MARKETING GENIUS

Hirst’s new work “Hymn” is at the center of a new plagiarism controversy. The sculpture – a 20-foot replica of a children’s anatomy kit – was bought for an alleged $1.5 million by gallery owner Charles Saatchi, yet no one has yet to see the work in person. – NPR

TAKING THE ELITE OUT OF SELLING ART

By some estimates, there are currently some 20,000 Web sites involved in selling art, and more are on the way. “Marketing experts say these sites will permanently alter the way art is sold and radically expand the market. Whether the sudden flood of art sites is truly the dawn of a new era bringing riches to sellers and creators of art or just a shift down-market disguised as technological progress, only time will tell.” – Washington Post