JUST ANOTHER STATUE

Boston has not had a good record of choosing public art. Last weekend a symposium sought to identify ways to turn that record around. “More artist input, and less community involvement in dictating content and style, was a subplot that simmered without reaching a boil. The community that asks for and gets another figurative statue of a local hero is a community unaware of the world of other options – the world artists know. But ‘community involvement’ has become such a lightning rod that many people in the arts are afraid to question it. – Boston Globe

NOT TO BE UPSTAGED

London’s Royal Academy – the good folks who brought you “Sensation” are out to do it again. Just in case anyone thought the RA was going to cede the contemporary turf to the about-to-open Tate Modern, the RA announces a sure-to-shock show focused on beauty and horror. – The Guardian

ARTFUL BUYBACK

Failing to convince Christie’s auction house not to sell what they consider to be looted cultural treasures, Beijingers bid on the items in Hong Kong auctions to keep the artwork in China.  “We spent half an hour calling our group leaders in Europe to report the feelings of Hong Kong’s people, the attitude of Christie’s and the statement of the State Bureau of Cultural Relics. Our leaders’ decision was that if Christie’s insisted on going ahead to sell the looted treasures, we would grab them . . . and the only way was to join the bidding.” – South China Morning Post (Hong Kong)

PUTTING ON AIRS

A government report released today by UK Arts Minster Alan Howarth concludes that “snobbery and discrimination” by museum staffs may prevent the poor and socially disenfranchised from visiting. The report urges cultural institutions to combat social exclusion by urging staff to be less intimidating and by taking steps, like putting catalogs on the internet to reach broader, more diverse audiences. – The Independent (UK)

FOR ALL THE WORLD TO SEE

An impressive number of Japanese homeowners have hired avant-garde architects to design inventive homes with no exterior walls or made entirely from glass. “These houses are not the work of oddball individualists, but creative attempts by cutting-edge architects to redefine the management of space, light, privacy and nature in the Japanese home.” – Smithsonian Magazine

THE POLITICS OF ARTIFACTS

Honolulu’s Bishop Museum used to have an excellent reputation for the study of Polynesian culture. But times have changed. Recently, the museum allowed 83 ancient Hawaiian artifacts worth millions of dollars to be turned over to a Native Hawaiian organization as provided for by the 1990 Native American Graves Protection and Repatriation Act. But a dispute has erupted over whether the artifacts will be cared for properly and if the group that now has possession is actually entitled to the work. – Archaeology Magazine

SELLING HERITAGE

The Chinese government tried to stop Christie’s auction house from selling two sculptures at auction in Hong Kong. The sale went ahead anyway, and the pieces were bought by a Beijing man, who says he bought them for “the Chinese people.” According to China’s State Bureau of Cultural Relics, “both sculptures came from a set of 12 bronze animal heads that adorned the Zodiac Fountain at Yuanmingyuan, or the Old Summer Palace, which was looted by British and French troops during the second Opium War in 1860.” – China Times

Chinese angry at auction house over auction. – New York Times

POWER IN KNOWLEDGE

Several projects are underway to put online records of art sales. Once, collectors had to rely on what dealers and auction houses told them about a painting’s history. Now, at the click of a button, they can do their own research and perhaps establish a partial, and sometimes a complete, provenance. – The Telegraph (UK)

TODAY MELBOURNE, TOMORROW…

  • Deutscher Menzies controls the Melbourne auction business and has a leg up in Sydney. “Once the saleroom is established nationally, it will take on the big two [Sotheby’s and Christie’s] on their home turfs in London and New York. In December Menzies made a bid for the world’s third oldest auction house, the London-based Phillips. He was one of a group of shortlisted bidders but lost out to French financier Bernard Arnault, head of the luxury products group LVMH Moet Hennessy Louis Vuitton. – The Age (Melbourne)