THE VISION THING

How could New York not build itself Frank Gehry’s new Guggenheim in Lower Manhattan? It will have to be considered the most important new piece of architecture to be added to the cityscape since Frank Lloyd Wright’s original spiral. “The Guggenheim spiral is crotchety architecture that has generated a sentimental allegiance. But the Guggenheim plan for lower Manhattan induces dazed admiration, and a shuddering recognition of how much is still possible in today’s architecture. This is the key concept: possibility. If New York is the new Rome, it too needs its follies and risk-takers, its architecture of vision and vulgarity. If we don’t build this museum now, we’ll never forgive ourselves. And a hundred years hence, neither will anyone else.” Feed

TAKING ON THE TATE

Among the building excitement about this week’s opening of the new Tate Modern in London, not all the critics are enthusiastic. “Tate Modern is a graceless, gimmicky name for a building that is Britain’s best example of fascist architecture, speaking in its modern abstract classicism of Hitler, Mussolini and Atatürk rather than the timid aspirations of Attlee in 1947, the year of its foundation.” – London Evening Standard

MOVING ON UP

Though it attracts a million visitors a year, London’s National Portrait Gallery has always been upstaged by its more prominent neighbor, the National Gallery. But a new makeover courtesy of an £11.9 million grant from the Heritage Lottery Fund, and another £4 million from private donations, has transformed the gallery into something much, much more. – The Times (UK)

DISCERNING TASTE

  • Noted architecture critic Donald Trump has come out against the Guggenheim Museum’s proposal to build a new Frank Gehry-designed branch in Lower Manhattan. “This building could potentially destroy the skyline of lower Manhattan. There are some people that equate [the design] to a junkyard,” says The Donald. – New York Post

DEMOCRATIC ART

The German parliament has voted to allow Hans Haacke’s controversial artwork to be installed in the Reichstag. “The work consists of a huge wooden container sunk into the floor to be filled with earth from the constituencies of the 660 members of the German parliament. Seeds from all over Germany are to be planted in the earth to produce a garden that will be left to grow wild. A neon inscription above the container will read “Der Bevölkerung” (To the people), a deliberate subversion of the words which were inscribed in bronze on the façade of the Reichstag in 1915: “Dem Deutschen Volke” (To the German people).” The Art Newspaper

UNDERSTANDING IMPRESSIONISM

In the spring of 1886, your opinion of impressionism seemed determined by whether you lived in Paris or New York: “In New York, critics aligned impressionism with cubism by emphasizing their rationalist aspects, whereas in Paris their differences as perceptualist and structuralist modes took priority.” A 21-page pamphlet entitled “Science and Philosophy in Art” was circulated at an exhibition in New York and eventually made its way back the French impressionist painters, who took it up excitedly and distributed it amongst themselves.  The writer turned out to be a 29-year-old American woman chemist, Helen Cecilia de Silver Abbott, whose particular defense of impressionism was before its time. – American Art

LARRY DOES LONDON

Manhattan art dealer Larry Gagosian, known as one of the brashest dealers on the art scene, is taking his larger-than-life gig to London where a new branch of his gallery will open May 9. “Gagosian has been described as “the hottest art dealer in the world,” known for persuading people to part with art they never knew they wanted to sell, and convincing others to buy it at prices they never knew they were prepared to pay.” – London Evening Standard

ART OUTPOST

“Usually, new government buildings forage for their furnishings and decoration after the builders have left. Art is an afterthought. But in Moscow the British government specially commissioned furniture, textiles and works of art by British artists while the building was still under construction. The result is a tribute to their foresight, for if diplomacy is the art of presenting your country in the best possible light, the new embassy is itself a symbol of the achievements that have made Britain so pre-eminent in the visual arts in recent years. – The Telegraph (UK)