E-MINIMALISM

  • It’s the digital equivalent of watching paint dry. An artist takes minimalism to the net: “On the computer screen, ‘Film Task’ appears to be a simple black square that, over eight hours, gradually turns white. Since it takes about 30 minutes for the eye to discern a change, patience is required (along with the Shockwave plug-in). A monotonous sine wave serves as the soundtrack, the only accompaniment.” – New York Times

HITLER’S ART DEALER, —

— Karl Haberstock, has been a major ongoing donor of Germany’s Municipal Art Museum in Ausburg. The museum, which has been publicly denounced by the World Jewish Congress, has finally agreed to investigate the provenance of the museum’s more questionable works and to open its archives to the public over the Internet. – Wired (Reuters)

POST-DESERT STORM ART

Iraq’s national museum, which has been closed since the Gulf War, has finally reopened to the public. More than 10,000 artifacts are on display, including rare Sumerian and Babylonian sculpture and archaeological treasure. – CNN

NAKED, NUDE, STARKERS

No, no, no – certainly no one would suggest that Larry Gagosian’s first exhibit in his new London gallery was cynically sensation – it was art after all, featuring an artist “who pays 23 tall, slender women to spend three hours being stared at while naked except for stilettos. The 23 women were chosen for their height their figures, pale skins and auburn hair, as well as attributes best not inquired after. For three hours they stared back dispassionately as London’s art world arrived, had a long look, and then had a free drink across the road in a bar called Strawberry Moons.” – London Evening Standard

SWEAT EQUITY

The Smithsonian’s traveling exhibition exploring American sweatshops – consisting of archival photos and a few historical artifacts, including mass-produced slave workshirts, union posters from the ’20s onward and objects seized in the infamous 1995 El Monte sweatshop raid – would have seemed to have been a natural for LA’s Museum of Tolerance. But the show wasn’t even advertised or the press notified. How come? – LA Weekly

THE GLOBAL MUSEUM SWEEPSTAKES

The cliché in art these days is that museums are the modern cathedrals. Who cares if there isn’t enough to go inside. Increasingly visitors come to experience the architecture – “an experiential encounter that competes with, and often dwarfs, our encounters with the art inside.” Thus opens the new Tate Modern. – LA Weekly

GREAT AT THE TATE

“I’ve got complaints about Tate Modern – but because they perhaps have less to do with the museum than my own un-grooviness, I’ll save them until later. Art is what counts; and the art at Tate Modern – much of it heaped up and hidden away until now in the vaults of the old Tate Gallery (now become Tate Britain) – is marvellously served.” – National Post (Canada)