APPARENT HEIR

Boston’s Museum of Fine Art has made a deal with the heirs to a painting sold under court order in Nazi-occupied Paris during World War II. “The parties came to a part-purchase, part-donation agreement that will allow the painting to remain in the MFA’s collection, and on display in its European paintings galleries.” – Boston Globe

  • The MFA purchased the painting from a London dealer in 1992 and has had it on display since. The museum was notified of the claim in February and first discussed the situation at a federal hearing on Nazi-looted art in New York City in April. – Boston Herald

SCHIELE SURPRISE

A 1918 portrait by Egon Schiele stirred up a surprising amount of interest among bidders at a London Sotheby’s auction Wednesday and sold for $10 million – more than twice the highest price ever paid for one of his works. – CNN

DONOR X

An anonymous French art collector has donated an astonishing collection of more than 100 masterworks – by Cézanne, Manet, Picasso, and others – to France. Although the mystery donor insisted on remaining nameless, rumors abound that it’s actually a well-known and wildly generous Parisian medical researcher. “I can think of no comparable donation in the recent history of this country’s museums.” – BBC

MOMA’S NEW DIGS

New York’s Museum of Modern Art will have to vacate its home for a few years while its massive renovation is ongoing. So it has unveiled a site in Queens for its temporary home during the interim. “How long the museum will display its artworks at the provisional site, a former Swingline stapler factory, depends on how long it takes to finish its Midtown Manhattan renovation, designed by the Japanese architect Yoshio Taniguchi. That project, which won unanimous approval yesterday from the City Planning Commission, is scheduled to be completed in late 2004 or early 2005.” – New York Times

HOW DO WE LOOK AT ART?

A new show at London’s National Gallery is measuring the eye movements of viewers to see how we see. “The results so far are not stunning. When people look at Albert Cuyp’s The Maas at Dordrecht in a Storm (1645-50), a painting of sail boats being thrown about on a tempestuous sea off the Dutch shore, they look first and longest at the boats. When they contemplate Paul Delaroche’s sentimental 19th-century history painting The Execution of Lady Jane Grey (1833), their eyes tend to be drawn to the central white-clad figure of the kneeling woman about to have her head cut off.” – The Guardian

RETURN TO MAKER

For years the Canadian government’s Art Bank bought artwork so it could be rented out, collecting some 18,000 works of art. Now the bank wants to clear out work that is rarely rented. Artists will be offered a chance to buy back their work; any remaining unwanted art will be deaccessioned. Critics “say the Art Bank’s ‘revitalization’ is going to hurt artists and the art market by transforming a government agency into a pseudo-corporation more intent on competing with the private sector than in advancing Canadian art.” – Ottawa Citizen

FIRST GLIMMERS OF AMERICA

The Library of Congress is rushing to raise $14 million to try and buy a map made in 1507 that “represents the very first symbolization of America in any kind of medium. It also represents the first document that truly understands, at least from a European perspective, the way the world is constructed.” – Washington Post

GLOWWORM

  • A genetically-altered French bunny named Alba that glows green in the dark is at the center of an international controversy.” Eduardo Kac–an intense, cutting-edge artist at the School of the Art Institute of Chicago–claims he conceived of Alba and spurred scientists to create her for the sake of art. He wanted to use her living being as a canvas, if you will, to generate debate about the future of genetic engineering. Art?! you exclaim. Greening a living thing as art?!” – Washington Post