DAMAGING THROUGH RESTORATION

India’s Ajanta paintings, which easily rank among the world’s most precious heritage sites, are being restored. But a leading expert warns that “the cleaning methods employed at the caves and the level of skills of the workers engaged in the cleaning have seriously damaged the Ajanta paintings and led to a demonstrable loss of pigment.” – The Art Newspaper

A PRIZE NEEDS A POINT

The British Stirling Prize for architecture has been awarded, and good luck to them all. “I don’t want to sound curmudgeonly, but I don’t get the Stirling prize and I’m not sure what good it does architecture. True, everyone likes a prize. Remember Alice in Wonderland, when the Dodo organised a caucus race for the animals? After they had run around in circles for a bit, the Dodo decided that ‘everybody has won and all must have prizes’.” – The Guardian

GERMAN ART AFTER THE WALL

“The world has spread the rumor that post-communist culture only uses its newly-won freedom to ape western strategies, that it is no longer fundamentally distinguishable from what we know as western art. The exhibition from Stockholm’s Moderna Museet now on display in Berlin succeeds in proving the contrary. Eastern Europe is still a separate continent.” – Frankfurter Allgemeine Zeitung

CHINA TAKING STEPS ON STOLEN ART

China is said to be near to signing a pact with the US on reducing the flow of smuggled art. “This would include obligations on the US to prevent museums and similar institutions from acquiring illegally exported cultural property from China; a prohibition of the import into the US of Chinese cultural property stolen from a museum, public monument, or institution; and the mandatory return of such items once found in the US.” – The Art Newspaper

MAKING OUR BUILDINGS WORK

“You can choose not to watch a television show. But bad architecture, whether it is a hulking condominium tower or a gargantuan “McMansion” home that looms over its neighbors, is much harder to avoid. And it doesn’t go away for decades. That’s why, in today’s building boom, the fight to preserve the past is taking on urgent meaning. Instead of watching passively from the sidelines, more and more people are becoming involved in an attempt to control the character of their communities.” – Chicago Tribune

THE NEW BREED OF ART SELLER

In Toronto, a quiet revolution in the way art galleries are presenting their work. “The new dealers tend to hunt out work they like, then simply hang it on the wall to see what happens.” That means mixing artists and group shows. ” Instead of having to come to grips with a single body of work, take it or leave it, customers now had a menu of art options to browse through, as in any other store. And that seemed to make them feel at home, and readier to buy.” – The Globe and Mail (Canada)