JOHN’S “WINTER” HOME

Explorers report they have found the “winter home” of John the Baptist” on the east shore of the Jordan River. They also found a skull too, which some say may have been John’s. “Until now, testing on the skull has not been completed, so we can only say it belonged to a hermit, because the region of Wadi Kharrar was inhabited by many hermits. The cave carved into the rock was dated to the 1st century AD.” – Bahrain Tribune

CAN ONE BUILDING BE ALL THIS?

“The Tate Modern is literally and figuratively the biggest thing to happen in the world of contemporary art, anywhere, for the last 25 years. The mutant offspring of such questionable immensities as the Pompidou Center and the Musée d’Orsay in Paris, the Bilbao Guggenheim, and the Hamburger Bahnhof in Berlin, the new Tate represents either the beginning of the end of the British art scene, or the end of the beginning. It makes you wonder if success will spoil the English art world.” – Village Voice

WHAT PRICE SUCCESS?

John Walsh has been checking out other museums since he stepped down as director of the Getty in September. “I keep thinking, what price success? Museums are drawing huge audiences, but to what? To dazzling new buildings or renovated ones, very often, or to ballyhooed exhibitions of overexposed art (even things with a dubious place in art museums like motorcycles and guitars). In settings like that, looking at works of art is becoming a point-and-click sort of thing. There’s a crowd flowing around you, noise . . . glance, move on.” – Los Angeles Times

THE RICH GET RICHER

London doesn’t just have a roll call of fancy new arts buildings in which to play. There’s a lot to go inside, too. “The long-term effect of the building programmes of recent years is now beginning to be felt; in terms of the number and quality of our exhibitions, London’s visual culture is now the richest in the world.” – The Telegraph (UK)

BACKGROUND RIGHTS

A half dozen major museums, artists and university presses are being sued for “appropriation” of copyrighted images. “The plaintiffs are seeking to hold the defendants liable for promoting and selling the disputed image, which they say was distributed on T-shirts, magnets, books, brochures, cards, websites and street billboards, including two immense building displays in New York arranged by the Whitney Museum. The lawsuit raises the question of what happens if an underlying image used in such a work is not in the public domain.” – The Art Newspaper