Arms Manufacturer Shamed Out Of Sponsoring Museum Shows Changes Its Name To Leonardo

Jeez, talk about artwashing. A string of PR disasters, including demonstrations against Britain’s National Gallery of Art for accepting sponsorships, led the Italian defense company Finmeccanica to rename itself after the Renaissance genius (who did, after all, design weapons and war machines). But the tactic hasn’t entirely worked: just last summer, the Design Museum in London came under fire (ahem) for hosting a reception for the company, despite the new name. — Artnet

Incoming Director Of DC’s National Gallery Is Bringing Quite A Lot To The Job

Kaywin Feldman is coming to Washington from the Minneapolis Institute of Art, where attendance more than doubled during her ten-year directorship. As Peggy McGlone reports, Feldman did that with an engaging and persuasive personality, a belief in data-driven marketing, and a commitment to serving multiple communities. — The Washington Post

That Caravaggio That Turned Up In An Attic? French Gov’t Decides It’s Not Authentic And Can Be Sold

“The painting, found in April 2014 in the attic of a house near Toulouse, southern France, was thought to be another version of the famed [Judith Beheading Holofernes] by the maverick 16th-century Italian artist.” The French ministry of culture promptly put an export ban on it and reserved the right to buy it for a national museum — an option the government has now allowed to expire amid continuing questions about the Caravaggio attribution. — The Art Newspaper

So Now Detroit’s Cool Again, Who Gets To Call Themselves A Detroit Artist?

“I mean if you are a Cranbrook student or AIR, you are not a Detroit artist. If your studio practice is based in Pontiac, you are not a Detroit artist. If you just moved to Detroit, you are not a Detroit artist. Why is this false narrative being pumped? We all have a place of origin why aren’t you repping that? I got one real question though, Where were you when we were shooting in the gym?” – Hyperallergic

Scotland Wants To Display Stone From Great Pyramid; Egypt Says, Prove It’s Not Looted

“The casing stone is from the Great Pyramid of Giza and will be exhibited at the [National Museum of Scotland] for the first time since it came to Edinburgh in 1872. … However, Egypt’s Ministry of Antiquities have said they will demand the stone is returned to Egypt if the museum cannot provide documentation that it was legally imported into the country.” — The Scotsman

The Mindfulness Industrial Complex Comes To The Museum

“At its best, the mindful museum might awaken in us a dim memory of a more collective way of being. As Cage wrote, not every contemplative act needs to improve creation—but together we can do better with the creation we’ve inherited. The new temple, though, asks only that we publicly perform our wellness, that we be productive even in our moments of rest.” – The Baffler

Leonardo’s ‘Salvator Mundi’ Is Missing — And It’s Mixed Up With The Saudi Crown Prince And The Mueller Investigation

The world’s most expensive artwork was supposed to have been on display at the Louvre Abu Dhabi four months ago, and it’s been more than 100 days since anyone (other than some Saudi royals) has known where it is. What’s more, special prosecutor Robert Mueller is investigating both the buyer of Salvator Mundi (Saudi Crown Prince Muhammad bin Salman) and its seller (Trump-connected oligarch Dmitri Rybolovlev, who made a $300 million profit on the sale). Reporter Zev Shalev connects the dots. — Narativ