Category: visual

Since 1979 Christo has been trying to get permission for a big project in New York’s Central Park. Now the city has approved it. Mayor Michael Bloomberg says “the project would attract some 500,000 visitors and generate $72 million to $136 million in spending. ‘When our natural instincts are to retreat to the comfortable and the familiar, we have to reassert the daring and the creative spirit that differentiates New York from any other city in the world’.”

“When art changes because of elemental forces, becoming what some would call an ‘eyesore,’ is it no longer art? Should it be removed? When the land on which a work sits, and for which it was designed, is needed for other purposes and the art is moved, is it the same work of art?” A dispute between a Florida temple that wants to remove a piece of art and the the artist who created it is forcing some answers to these questions.

“Boston’s Institute of Contemporary Art has hired a new curator, Nicholas Baume, a 37-year-old Australian who has been the contemporary curator at Hartford’s Wadsworth Atheneum since 1998. Baume, who assumes the job in March, replaces Jessica Morgan, who resigned from the ICA in November to move back to her native England, where she is a curator at London’s Tate Modern.”

At virtually no cost, debt-ridden Berlin got the chance last month to “show one of the most distinguished private collections of its kind in the world — one that, moreover, has never been shown in its entirety to the public. Yet the collection has been unwelcome elsewhere because it belongs to Friedrich Christian Flick, the multimillionaire heir of a leading Nazi arms manufacturer. And for Berlin, a city that has served variously as the epicenter of the avant-garde and Nazi despotism, that fact presents a troubling dilemma.”

One of Scotland’s “pioneering” online galleries has made a deal with a hotel chain to provide 1,500 works of art for hotel rooms. “We believe that art is part of daily life and we are challenging the way that people normally view and buy art.”

The American section of the International Art Critics Association has chosen the “Eva Hesse” show, co-organized and launched on its tour by the San Francisco Museum of Modern Art, as best monographic exhibition outside New York.

A man who took art from artists for a gallery that didn’t exist, has been arrested in Florida. He portrayed himself as a Miami Beach gallery owner or lawyer, and “aspiring painters and sculptors sent him their work to be displayed in galleries. Several artists gave Evan Carter their credit card numbers to pay gallery dues or other fees, then noticed unfamiliar charges, police reports said.”

The colorful story of the recovery of Edvard Munch’s painting “the Scream” back in 1994 is just now coming to light. “While it is known that the £50 million painting was eventually returned to the National Gallery in May 1994, following a trap set by Scotland Yard, it has emerged that the British strategy for finding ‘The Scream’ stretched the limits of international law and involved meticulous research, false identities and high risks for two unarmed officers. Twice, the operation was put in peril by the unlucky intervention of other police forces. Twice, the swift action of the undercover officers averted disaster.”

“As an event, the Shanghai Biennial would seem a success. Major figures from Europe, America and Asia attended, although many, including a delegation from New York’s MoMA, were making a side trip from a curating conference organised by the Asia Society in Hong Kong. But the longer-term picture is cloudier, as the haphazardly installed, barely coherent Biennial—resembling, at times, an art fair—cemented a growing scepticism overseas about both Chinese art and the possibilities of mounting serious art exhibitions in China.”

“Celebrities and stars figure more and more in the art world. Indeed, Madonna, David Bowie, Elton John, Jarvis Cocker of Pulp, Brian Eno and Bryan Ferry are not only avid buyers but part of the group of patrons that supports young talent in Britain. ‘This group of pop and rock stars has truly put its stamp on the market. Such is its impact that it even affects artistic tendencies, but the phenomenon has to be seen as part of a whole movement that includes music, painting and all the arts’.”