Category: visual

Two Van Gogh paintings have been stolen from the Van Gogh Museum in Amsterdam. “The stolen paintings are well known to art lovers: ‘View of the Sea at Scheveningen’ and ‘Congregation Leaving the Reformed Church at Nuenen.’ Both from the artist’s early period, they were executed in 1882 and 1884, respectively. Police have not yet put a value on them. But Van Gogh’s later works have sold at auction in recent years for tens of millions of dollars.”

In a few weeks the Guggenheim Museum will open a show of Malevich paintings with important works that have never been seen in the West. But the tale of how the paintings ended up getting out of Russia and into the show is a tangled one. “The art dealers, the Guggenheim and Russian officials all deny having done anything improper. It is through their efforts, they argue, that superb art hidden for decades is finally being seen.” But still, there are questions…

As recently as 1989 there were fewer than a dozen women directing American museums. Now there are more than 50. “While there has been an increase in the number of women museum directors, the largest increase has been in the small museums.” But for the most part, women haven’t cracked the top jobs at larger museums.

Would you take a chance on buying art out of a vending machine? “The Art-o-Mat offers miniature paintings, sculptures and other tiny trinkets for not much more than a pack of Parliaments. The concept has hooked accidental art investors with refurbished vending machines in art galleries, coffee shops and grocery stores nationwide. We’re wanting to reach quality investors who haven’t taken art seriously before, and to support artists trying to make a living.”

So often, conservation attempts at Angkor Wat have resulted in disaster. “Between 1986 and 1993 in an attempt to clean the temple of lichen and prevent water erosion, many exquisite details were erased forever. Concrete was used to fill cracks.” and the damage was irreparable. Now there are more plans – some which seem ill-advised. “Who is making these decisions? The Cambodian body nominally in charge of Angkor’s 100-odd monuments is the Apsara Authority, created by Unesco in 1995. But while the Cambodians are the hosts, they are not yet the masters of their legacy: they hold the keys but not the essential resources. Within the tangle of international politics and conflicting philosophies of architectural restoration, Angkor Wat, with its beautiful honeycomb towers is, in reality, a latter-day Tower of Babel.”

For six weeks in 1530, Michelangelo hid in a little cell-like room while the Medicis wanted him dead. While there, he drew on the walls. “The collection of around 50 ‘doodles’, first discovered by Paolo dal Poggetto in 1975, include a self-portrait, a life-size risen Christ and some sketches experts believe are copies of figures the artist had painted earlier on the ceiling of the Sistine chapel.” The drawings are being restored after having badly deteriorated.

Since the Bilbao Guggenheim opened, no museum can afford to be blase about getting bigger. “Today, no museum Web site worth its salt is without a section on its imminent, or just completed, ‘expansion,’ ‘renovation,’ ‘renaissance’ or ‘transformation.’ The rhetoric is eerie in its uniformity: The new building will display the museum collection in a ‘fundamentally new way.’ It will provide the public with a ‘richer and deeper experience.’ It will be an ‘exciting new public space.’ And, of course, the café and bookstore will be expanded.” Architect Moshe Safdie has come along with a kind of “anti-Bilbao” approach to museum-building.

A year ago Berkeley’s Judah L. Magnes Museum and the Jewish Museum San Francisco decided to merge. But it didn’t work out, so the two are “de-merging.” And that requires somebody to help pull it off – so the Magnes has hired Joanne Backman as its acting executive director.

Boston’s Museum of Fine Arts is selling a Renoir and two Degas pastels, hoping to raise $12-17 million so the museum can buy an [unnamed] 19th Century painting it wants to acquire. “It will be by far the most money raised through a sale in the MFA’s history. It will also mark the museum’s highest profile deaccession since 1984. That’s when the MFA traded two Renoir pastels and a Monet painting – plus $600,000 – to a New York dealer for a Jackson Pollock painting. It was a controversial move, and an assistant curator resigned in protest. But this week, MFA officials stressed that support for the deaccession was unanimous from the five curators in the art of Europe department, the 27-person collections committee, and the 70-member board of trustees.”

Epic lines at New York’s major museum shows make going to see some art a confusing and difficult experience. “You either have to get in the very front, in which case you get pushed, or in the very back, in which case you can’t see. It’s not like you can stand in front of a painting and wait. You’ll get trampled.”