Category: visual

World museum leaders suggest a moratorium on Iraqi antiquity sales as well as offering rewards for the return of art looted from Iraq’s museums. “I feel very strongly that we have to mobilize a reaction and make people aware that it’s not going to be easy to get the looted stuff out on the market.”

Who will be blamed for allowing the looting of Iraq’s museums? “Many Iraqis already believe that allied forces targeted ancient sites during the first Gulf War out of malice; this new destruction of Iraq’s cultural heritage may soon be attributed not to Iraqi criminals but to coalition intentions. In this war US commanders were already provided with a list of the most important of an estimated 10,000 ancient sites in Iraq. The Americans claim that they took great care to avoid hitting these but say that Saddam Hussein deliberately sited many of his defences near such places to give them cover.”

Iraqi curators thought the biggest threat to their art was American bombs. They weren’t prepared for looting…

There won’t be many buyers. “The major salerooms greatly restrict their sales of antiquities, most of which have no commercial value unless they carry with them what effectively amounts to a passport. The history of any major piece must be well known to make that piece saleable.”

“In Paradise Square, Baghdad, tearing down a giant bronze Saddam is seen as moving, heroic and symbolic. Bad art about bad people deserves all the abuse it gets, we might argue, but where do the lines of acceptability lie when an artist wilfully wrecks another artist’s work? Jake and Dinos Chapman are in trouble again for defacing a complete set of Goya’s 80 Disasters of War etchings. Goya worked on the series for a decade from 1810 and never saw it printed in his lifetime.” But strangely, the defacement is moving…

“The art in Saddam’s palaces is very emphatically the embodiment of ideas and appetites, and as such, it is not really that funny. The erotic art is particularly recognisable as the sort of thing you’d see in Hitler’s private collection – right down to the Aryan types. But Saddam is less elevated in his taste than Hitler. The Fuhrer was more pretentious. By contrast, there are no high cultural allusions whatsoever in the Saddamite paintings. They are from the universal cultural gutter – pure dreck. They look spraypainted, in a rampant hyperbolic style where all men are muscular, all women have giant breasts and missiles are metal cocks. These are art for the barely literate, or the barely sentient, dredged from some red-lit back alley of the brain.”

The cave paintings at Lascaux in central France survived 20,000 years. But the prehistoric wall paintings are threatened with irreparable damage by modern man’s attempts to save them.

The destruction of the Iraq Museum is a disaster. “Some objects will doubtless be recovered, and a few of the most remarkable may turn out to have been hidden away. Even so, when the news about the museum emerged some people over here began talking about how the Iraqi people had ‘lost their past’. A museum like the one in Baghdad, they argued, gives a people a sense of who they are, and where they come from. Is this true? There is a lot of sentimentality attached to archaeology by outsiders.”

An American artist named Rowena was surprised to discover that two of her oil paintings hung in Saddam Husein’s personal quarters. The paintings are fantasy raunch, and “Rowena, 58, said she did the oil paintings that hung in the dictator’s den about 15 years ago as covers for bodice-ripper paperbacks with titles such as ‘King Dragon’ and ‘Shadows Out of Hell’.” Oh, and she’d like them back…

Britain is sending a team of art experts to Iraq to try to help pick up the pieces after the smashing and looting of the National Museum of Antiquities. “Officials from Unesco, the UN cultural agency, will meet staff from the British Museum on Thursday to discuss tactics for Iraq. ‘There will be a large conservation task to be done, extending over many years and requiring the widest possible international co-operation’.”