Why Nothing’s Wright In Baghdad

Why were Frank Lloyd Wright’s plans for Baghdad not accepted in the 1950s when he drew them up for the King of Iraq? “Wright’s plans were deemed ‘rather grandiose’ by the revolutionary government and were not built. The simpler and cheaper university plan conceived by Gropius was built, as was Gio Ponti’s design for a Ministry of Development building. In 1981, a portion of Le Corbusier’s design for a sports complex was completed. The building was dedicated as Saddam Hussein Gymnasium.”

The Decline Of The Corporate Collection

These are not good times for the corporate art collection. “Many companies – including Reader’s Digest, CBS, IBM and Time Warner – sold off expensive collections in the late 1990s when the economy was good and they could turn a profit on the art. Others, such as Chicago-based accounting firm Andersen, have liquidated collections during economic crises. The commitment to corporate art has been shrinking since the boom years of collecting in the 1980s.”

Is Greek Museum Damaging Artifacts?

Greeks are building a museum in Athens they hope will someday house the Elgin Marbles. “But paradoxically, those behind the museum – which is being built to house priceless ancient artefacts – stand accused of destroying many such artefacts in the process. Greek heritage is being lost from the building site, say critics. And the complaints are coming from the Greeks themselves. They are not part of some underhand British plot to scupper the mounting pressure for the return of the marbles within the next 12 months.”

Frank Lloyd Wright’s Grand Plan For Baghdad

In 1957, the King of Iraq asked architect Frank Lloyd Wright to come up with a grand master plan for Baghdad. “Now, half a century and a ‘war of liberation’ later, some Islamic scholars think it’s time for Iraq to take another look at the American architect’s vision for the narrow, sun-bleached streets of low-rise 1950s Baghdad. If built, his plans, which included an opera house, university campus and post and telegraph building, could, they say, do much to disabuse Iraqis of the view that Uncle Sam is intent on erasing Islamic culture.”

A Turn To The Traditional?

Is a new aesthetic of traditional realist art gaining traction? Some “recent surveys show evidence of a very interesting mind shift among a number of young American painters living here or abroad. In general, a broad spectrum of older artists seem almost inevitably to include shock, angst, or politics in their works—an impulse to disturb articulated in The Shock of the New by Robert Hughes. On the other hand, a growing majority of American artists who today are under 40 years old seem more intent on creating paintings that are visually beautiful, rather than emotionally disturbing.”

Damien Hirst, Butterfly Killer

Animal rights groups are furious at artist Damien Hirst, who is using the wings of thousands of butterflies for his new project. “The man who made his name sawing up cows, pickling sheep and suspending sharks in tanks of formaldehyde has been busy over the summer plucking the wings off thousands of tropical butterflies. Animal rights activists, who have previously taken a dim view of his stark meditations on life and death, are not amused.”

I’m Feeling All Empty Inside…

Toronto, like many cities, is caught up in the big museum-building craze. But what about what goes on inside, wonders Philip Marchand. “For the past 10 years, at least, there has been a drastic decline in such research and expertise in museums throughout Ontario. This decline has hit historical and regional museums the hardest, but it has also affected institutions such as the AGO. Libeskind’s Crystal and Gehry’s AGO expansion will not solve this problem, and may, in fact, aggravate it.”

Kramer Discourses

Art critic Hilton Kramer expounds on the artworld and reflects on his career as an art critic in a series of audio clips… Among the juicier bits: “Critics who refuse to make judgments…are quickly seen to be… either the whores or the eunuchs of their profession. They may elicit our pity or inspire our contempt, but they can never command our respect…”