“London’s National Portrait Gallery has decided against accepting a £1m grant from the Sackler Trust, following growing controversy over the damaging medical impact of OxyContin, a drug produced by the family’s pharmaceutical company.” – The Art Newspaper
Category: visual
Winnipeg Art Gallery’s Expansion: A Game-Changer For Telling The Stories Of Inuit Art?
When complete, the gallery says the new centre will be home to a collection of contemporary Inuit art unlike any other in the world — and will bring new stories to the forefront. “This is a game-changing museum,” said WAG CEO and director Stephen Borys. – CBC
China’s Art Collectors Open Up About How China’s Art Market Works
China now has around 5,000 museums, of which around 1,500 are privately run. Asked why they opened private museums, the collectors canvassed are candid. “It was good for my collection. It is easier to acquire high-quality works as an institution.” – The Art Newspaper
A New Mosque In The UK Connects To The Natural World
The new mosque, designed by the architects who created the London Eye, isn’t the typical style of mosque in Britain, where the driving force has usually been somewhat utilitarian. This one “is the most determined attempt yet to build in a way that is of its own place and time,” says architecture critic Rowan Moore. – The Observer (UK)
Can We Talk About 5 Pointz, And The Line Between Homage And Exploitation?
To do that, we first need to go down a rabbit hole of, well, history (recent history). Do we remember this? “In 2013, [the owner] made plans to tear down the building and replace it with condos, as part of a larger ongoing movement to tear down the entire city of New York and replace it with condos. The art community protested, and Wolkoff whitewashed the building overnight, destroying the artwork.” Uff. – AV Club
LACMA Decides To Collapse Euro And American Art Into One Big Department
Christopher Knight on why this isn’t going to work – with a review of a new show embedded within the commentary: “Art museums have two audiences — one general, who may or may not have a genuine interest (there’s got to be someplace to take the in-laws over the holidays); the other a dedicated art audience, who range from passionate enthusiasts to committed professionals. … Lose the core and the museum is in trouble.” – Los Angeles Times
A Stolen De Kooning Gets A Homecoming Party (And A Restoration Fundraiser)
Though Woman-Ochre will go to the Getty for about 18 months of restoration, and will be shown at the Getty before it returns to Arizona, the painting stolen in 1985, it gets one night of pre-restoration display at the museum where a man and a woman simply walked in, distracted a guard, cut it out of its frame, and then … disappeared. – The Guardian (UK) (Associated Press)
Meet DC’s National Gallery’s First Woman Director
The gallery’s fifth director, Kaywin Feldman thinks that her appointment as the institution’s first woman director broadcasts a commitment to diversity. When she started working in the field 25 years ago, only about 15 percent of museum directors were women; now, according to the AAMD’s 2017 Gender Gap report, 48 percent of museums have female directors—but only 30 percent of museums with annual budgets of $15m and higher, decreasing as budget size increases. Feldman now oversees a museum with a $190m annual operating budget. – The Art Newspaper
NY’s New Hudson Yards – Architecture As Luxury Branding With A Giant Waste Basket In The Center
Michael Kimmelman: “It gives physical form to a crisis of city leadership, asleep at the wheel through two administrations, and to a pernicious theory of civic welfare that presumes private development is New York’s primary goal, the truest measure of urban vitality and health, with money the city’s only real currency.” – The New York Times
All Of Germany’s States Agree To Start Repatriating Looted Items In Museums
“The culture ministers of Germany’s 16 states agreed to create conditions for the repatriation of artifacts in public collections that were taken ‘in ways that are legally or morally unjustifiable today’ from former colonies, describing their return as ‘an ethical and moral duty.'” – The Art Newspaper
