Notre Dame’s Fire Is Tragic. Great Buildings Have Repeatedly Survived Tragedy

Philip Kennicott: “History tells us these things are all too common, even as modern media saturation makes it seem somehow unprecedented. Flip through the pages of any tourist guide to an old castle, church or palace, and there is often a litany of fires, floods, revolutions and occasional bouts of revolution and iconoclasm.” – Washington Post

That Drunk Guy Who Broke A Thumb Off An Ancient Chinese Terra Cotta Warrior? His Trial Got Really Weird

A young shoe salesman from Delaware, who now has no idea what he was thinking at the time, did the deed at an Ugly Sweater party at the Franklin Institute in Philadelphia in 2017. He was tried last week under an art theft law that could have sent him to prison for decades. Expert testimony got so strange that the jury hopelessly deadlocked. Jeremy Roebuck explains how it all went down. – The Philadelphia Inquirer

Is The French Church Or The French State Responsible For Historic Sites Like Nôtre-Dame? Well, That’s The Problem …

In a newly relevant article brought back from the archives, Jerome Bernard explains that this question has been argued over ever since France legally separated church and state in 1905 — and that dispute is why places like Nôtre-Dame-de-Paris have been allowed to deteriorate so badly. – The Art Newspaper

An Art Professor’s Painstakingly Detailed Scans And Images Of Notre Dame Could Help Rebuild It

In 2010, Andrew Tallon, an art professor at Vassar, took a Leica ScanStation C10 to Notre-Dame and, with the assistance of Columbia’s Paul Blaer, began to painstakingly scan every piece of the structure, inside and out. They mounted the Leica on a tripod, put up markers throughout the space, and set the machine to work. Over five days, they positioned the scanner again and again—50 times in all—to create an unmatched record of the reality of one of the world’s most awe-inspiring buildings, represented as a series of points in space.  – The Atlantic

The Improbable Story Of The Guy Who Bought A $1K Painting Over The Internet And Sold It As A Leonardo Worth $500M

Today, of course, the contents of Lot 664 are worth far more than that: The picture has since sold once for $127.5 million and again, in a record-setting auction at Christie’s, for close to half a billion dollars. It has been held up as the “male Mona Lisa” and the “Holy Grail of old-master paintings” and derided by this magazine’s art critic, Jerry Saltz, as a “two-dimensional ersatz dashboard Jesus.”  – New York Magazine