The Estate Of Robert Indiana Sues To Stop Sales For Reproductions Of ‘LOVE’ And ‘HOPE’

Wow, ugh, and this sure messes with those trying to remember Indiana a year after he died. “The complex legal battle surrounding the estate of Indiana began the day before he died at his home on Vinalhaven, when the Morgan Art Foundation filed a lawsuit in U.S. District Court in the Southern District of New York accusing McKenzie and Jamie Thomas, Indiana’s caretaker, of fraud and elder abuse. Indiana also was named in the suit. In fall 2018, Morgan also sued the Indiana estate alleging breach of contract.” Now there’s more. – Portland Press Herald (Maine)

Adventures In Pricing: Art Gallery Of Ontario Rethinks Who Pays What To Come Inside

Those under age 25 will get in free. AGO director Stephen Jost says he initially pitched this idea to this staff two years ago, and wanted the age limit to be 18, but “honestly it was our staff that pushed it up. We looked at the revenue we get from 18- to 25-year-olds, and it’s not that much. But I do know is most humans make their cultural taste choices between 16 and 25, so if you start coming in for free, we can create that habit and relationship.” – Toronto Star

The “Camp” Aesthetic: From Susan Sontag To The Met Gala

Sontag wrote her groundbreaking essay in 1963. In 58 paragraphs, she conducted an intuitive yet rigorous examination of a phenomenon that she defined as “a badge of identity among small urban cliques”. And this “private code” constituted a new mode of perception that collapsed traditional ideas of high and low culture, of elitism and mass appeal. Here was a new hierarchy of taste, no longer defined by the old gatekeepers. Camp was a “way of seeing the world as an aesthetic phenomenon”, she wrote, “in terms of the degree of artifice, of stylisation”.

As Ethical Controversies Arise Around Their Donors And Collections, Can Museums Correct Themselves? Can They Afford (Not) To?

“In the space of barely a year, the very foundations of museums — the money that sustains them, the art that fills them, the decision makers that run them — have been called into question. And there’s no end to questioning in sight.” Holland Carter considers the issues. – The New York Times

Wildenstein Gallery Sued For Allegedly Selling Fake Bonnard Painting

“The art collector and real-estate investor Neil Wallace, who with his brother Monte are thought to be the sellers of a $100 million Impressionist art collection at Christie’s London in February, is part of a trust suing Wildenstein & Co. over a Pierre Bonnard painting bought more than three decades ago that they now deem ‘a clever fake.'” – Artnet

One Of World’s Largest Corporate Art Collections To Be Sold Off To Fund Social Projects

“The Italian bank UniCredit has announced plans to sell off its art collection — one of the largest corporate holdings in the world — to help finance social initiatives across Europe. … The collection of 60,000 works includes those by Gustav Klimt, Giorgio de Chirico, Fernand Léger and Gerhard Richter.” – The Art Newspaper