Italy: The Ethical Return Of Art

Italy’s culture minister makes his case for return of improperly acquired art on an ethical basis. “All our negotiations with various subjects are based on dossiers which are drawn from trial evidence procedures, cultural indications or on Italian law regarding Italian cultural patrimony. Our negotiations are not juridical, but on an ethical plane with all the subjects.”

Art In A Scientific Image

“The Science Photo Library was founded 25 years ago by Michael Marten after he and three colleagues published Worlds Within Worlds, the first popular book to show the new range of scientific imagery developed since the 1950s. The images were originally conceived purely as contributions to scientific knowledge, but over the years their use has extended into the worlds of art and culture.”

The Restored Yale Art Gallery

“While Yale has so far only redone the 1953 extension, designed by Louis I. Kahn, the university also plans to renovate wings that date from 1928 and 1867. It’s all part of a 10-year, $500-million plan to overhaul the entire arts campus. Work is also planned for the departments of art and art history, architecture and drama.”

Symbolically Dead

“Academics have long dismissed Symbolism as conservative. Even in the 1890s, Symbolism was criticized for its elitism and traditionalism. Yet a little more than a hundred years ago, all roads led to Symbolism. Today, Symbolism is the good art of bad ideas that people rarely know or otherwise choose to ignore.”

Bollocks, It’s Art

“Like Orwell’s Newspeak, art bollocks is variously used in a knowing way, as an in-joke, a private language, a posture, or maybe out of fear – to maintain some questionable status among equally questionable peers. This particular critical idiom has also spread from an increasingly politicised world of art theorising to adjacent areas of political and cultural criticism.”

Artists At The Movies

Viusal artists have long played with film. But more artists are finding themselves behind conventional movie-making. “In most cases, their movies are extensions of their usual work, with one difference: the films are based on screenplays that have a fairly conventional narrative bent. They also feature seasoned actors and technical crews, and mean to reach audiences beyond museums and film festivals.”