The Art Of War – Good Wars? Bad? Who Gets It?

“Does it matter whether booty comes from good wars or bad ones, from evil owners or helpless ones, from public places or obscure corners and rich men’s vaults? In principle, the answer should be, ‘No, it doesn’t matter.’ But Germany in World War II stole art from its victims; the Soviets then looted Germany when their troops overran Berlin. In Germany’s case, it’s considered a war crime. Russians insist their actions were just revenge.”

Why Does Architecture Have To Fight To Be Considered Art?

“Christie’s is auctioning Richard Neutra’s Kaufmann Desert House as a work of art, hoping to redefine what was recently considered a derelict building ripe for demolition into a $25m aesthetic masterpiece. What’s surprising is that anyone should doubt this. The house is an extraordinary achievement from the golden age of American modernism, by a renowned designer. Why does Christie’s have to labour the point that it is ‘art’? Why would anyone mistake it for anything else?”

A Whitney Biennial Out Of The Times?

“The Whitney is not in the business of selling art, but this Biennial shows that it’s nevertheless caught up in the market’s bizarre hysteria, swooning over mediocrity and prodigally handing out prestige. The sliver of ‘now’ on view at the Whitney seems to me a symptom of decadence, a wasteland of its own, made up of dissociated trends and indecipherable shards.”

Why Is New Spanish Architecture Thriving While Italy’s Languishes

“In Italy, politics can seem like a capricious game, one that has deeply influenced the country’s approach to architecture, design and urban planning over the past 30 or 40 years. Meanwhile, Spain changes its political spots slowly, but when it does change direction, the cultural results have been as thrilling as they have been serious.”

Why Dia’s Director Stepped Out

Jeffrey Weiss took over as director of the Dia Art Foundation nine months ago thinking he would split his time between curatorial and administrative duties. “He didn’t like the part of the job of being a director. He’s much more of an intellectual. He thought it would be 50-50 but it was actually 90-10.”