Museums Group Condemns Art-Renting Practices

“The Italian branch of the International Council of Museums (ICOM) has just produced a paper denouncing the practice of charging money to lend a work. This is not about wide-ranging projects such as the Louvre Abu Dhabi, where the Gulf state is paying e1bn over 30 years into an endowment fund for French museums not just to lend works of art but effectively create a whole museum culture.”

Art Shortages And The Art Market

“If extreme scarcity makes it easier to exaggerate the merit of the remaining works by artists whose truly great pictures rarely come up at auction, it also leads to some real gems being overlooked. As art supplies shrink, so does connoisseurship – the most gifted connoisseurs are only as good as the sum total of what they have trained their eyes on.”

Real Friends Of The Barnes

“The most cogent argument for not hijacking the Barnes to Philadelphia wasn’t that it shouldn’t be changed at all, that Dr. Barnes wouldn’t approve. He has been dead for 57 years. It was that the foundation represented a rare historical artifact, whose distinctive genius loci, like that of Bartram’s Garden in Southwest Philadelphia, described a precious and irreplaceable historical context for novel innovations in art education.”

The New Cleveland Museum Unveiled

“The reopening will mark completion of the first part of a $350 million expansion and renovation aimed at transforming the museum. By 2012, two new wings will rise to bracket the 1916 building and the 1971 education facility, joined by a huge glass atrium. The museum sees it as a project that will lift the city’s fortunes along with its own.”

When Jazz Represented America To The World

“The idea behind the State Department tours was to counter Soviet propaganda portraying the United States as culturally barbaric. Powell’s insight was that competing with the Bolshoi would be futile and in any case unimaginative. Better to show off a homegrown art form that the Soviets couldn’t match — and that was livelier besides. Many jazz bands were also racially mixed, a potent symbol in the mid to late ’50s, when segregation in the South was tarnishing the American image.”