Damien Hirst Aims At Moving Out The Inventory

“Realising his British clientele can no longer soak up the quantity of art that he produces, Hirst is tapping the wider international market. He is putting 223 other works up for sale at Sotheby’s next month in his first sale of newly produced art at a major auction house. Hirst has opted for the auction house route partly because the commission is lower than the 40% often levied by galleries. He has also said that galleries can be “snobby” towards possible customers and “look down” on them.”

Calatrava’s New Bridge For Venice Suffers Another Indignity

“The final insult was yesterday heaped on the bridge Spanish architect Santiago Calatrava has built over the Grand Canal in Venice when its official opening was cancelled. Their decision will avert a demonstration planned by opponents of the project, and remove the opportunity for another round of media comment on the cost overruns and repeated delays that have marked the bridge’s construction.”

New Supersized Sculpture Changes The Scale Of Public Art

Antony Gormley’s towering Angel of the North sculpture has spawned a whole family of imitators. Now “the scale of public sculpture is about to be changed. Before this winter’s first frosts, a steel monster will creep across the debris around the old Tees Dock in Middlesbrough. At 164ft, it will stand almost three times the Angel’s height and its 360ft span will stretch the length of several city streets.”

A New Way To Think About Olympic Buildings?

“If hosting the Olympics was China’s way of shoring up its strength and visibility on the international stage, than the architecture was the look-at-me muscle flexing that brought together aesthetics and political will in a peculiar dance of neo-perestroika.” Future Olympic cities are taking a different approach. “The most promising approach looks at Olympics infrastructure as a reflection of what they really mean for a city: a splashy, but ultimately temporary event.”