Banksy (And Animatronic Friends) In The Great Indoors

“The rumors are true: Banksy is — or was, or has been — in town, and he’s doing more than just painting, or hiding.” The graffiti artist’s handiwork has been spotted downtown recently, “and on Wednesday a Banksy piece was unveiled at 89 Seventh Avenue South (near Bleecker Street) in Greenwich Village. This one is not a mural but an installation: a mock pet supply shop, filled with animatronic creatures….”

Iraq Regains Some Treasures

“Violence has fallen across Iraq in recent months and artifacts to the country’s National Museum are trickling back — about 6,000 have been returned of the 15,000 or so that went missing in the chaos that erupted following the U.S. invasion in 2003. But Iraqi authorities are taking no chances, and will not re-open the museum until security is assured.”

Confronting Wall Street With Art

Everyone’s angry about the Wall Street collapse and bailout, but what can someone in the arts do about it, really? “A full-time artist based in New York, [Laura] Gilbert used a computer and her drawing skills to create the ‘The Zero Dollar,’ a slightly shrunken version of the greenback. Yesterday, she headed to Wall Street, hoping to find the masters of finance who have just body-slammed our economy and, as she put it, ‘confront them with my art.'”

Design Museum Announces Major Renovation

“Having already finished more than half of the fund-raising, the Cooper-Hewitt National Design Museum plans to begin work in January on the renovation and expansion of its ornate [Manhattan] mansion. The project is aimed at energizing the Cooper-Hewitt, regarded in recent years as a somewhat sleepy institution, by carving out space for more ambitious shows and the display of works from its permanent collection.”

Remixing Obama/McCain ’08

A trio of artists in Boston is presenting live “remixes” of the presidential debates at the city’s new Institute of Contemporary Art. “For the members of Sosolimited, their remix, called “ReConstitution 2008,” is an act both of political engagement and mischief, examining the language of politics while gently mocking its repetitious nature with a kind of scorecard.”