Hirst Tops ArtReview Power List; MoMA’s Halbreich Is No. 3

“Damien Hirst is the most powerful figure in the world of contemporary art, according to magazine ArtReview. Hirst, who topped the list in 2005, retakes the top spot after a recent sale of his work which made £111m. … Kathy Halbreich, an associate director of New York’s Museum of Modern Art, becomes the first woman to make the top 10 in her own right.”

At Princeton, A Gehry Library That’s Light On Books

“Saw-toothed glass dances in a conga line above leaping arcs of metal roof at the Peter B. Lewis Science Library at Princeton University. The signature hand of Frank Gehry is unmistakable. But where are the books? … The New Jersey university, with Gehry Partners LLC, has embarked on a difficult task: to reinvent the library for an age when information largely takes on electronic rather than print form.”

To Soothe Sellers, London Auction Houses Give Guarantees

“Auction houses are guaranteeing prices of some top works in this week’s London art sales, which coincide with the worst financial crisis since the Depression. The sales … have a total minimum price tag of 107 million pounds ($187 million). Sotheby’s has more than half of its total lot value guaranteed; Christie’s International guarantees 38 percent, meaning both promise fixed prices to vendors whether the art sells or not.”

On Eve Of Frieze, Atmosphere Is Gloomy

“Contemporary Fine Arts, a Berlin gallery that represents artists such as Peter Doig and Georg Baselitz, has made profit at every art fair the past five years. The winning streak may end this week at Frieze, London’s largest art fair, which is taking place during the worst financial crisis since the Great Depression.” Dealers and other industry professionals are sounding grim.

Berger: ‘New Tier Of Collectors Has Stabilized The Market’

“Roland Berger, founder and chairman of the German management consultancy that bears his name, expects the art market to ride out the current financial turmoil as wealthy Russians, Indians and Chinese buoy sales. … ‘A new tier of collectors has stabilized the market. Just because the financial markets collapse today doesn’t mean art prices will drop tomorrow — at least not for good-quality art.'”