Is Reconstructing The Kaiser’s Palace Really A Good Idea?

The 18th-century Hohenzollern Stadtschloss in Berlin was “a hulking, unlovable pile. Even the emperors didn’t want to live there.” Damaged in WWII, the Schloss was torn down by the East German government and replaced with the Palace of the Republic, which was in turn torn down after German reunification. Now the government wants to rebuild the Schloss, and not everyone likes the idea.

Picking Up A Holbein For A Quick €2,000

“When the dusty heirlooms and bric-a-brac of a once-stately French family went under the hammer at a minor auction eight years ago, an anonymous portrait of the Dutch scholar Erasmus sold for €2000… [now] experts have established that the work was the last ever portrait that Holbein painted of an ageing Erasmus, and the painting – one of a tiny minority of Holbein works to be in private hands – is worth millions.”

Artist’s Touch Imbues Berlin Homeless Shelter With Luxury

Haus Schöneweide, in suburban Berlin, is “a refuge for homeless men which, following a €100,000 (£98,000) refit, has been dubbed the swankiest homeless shelter in the world. Before its revamp, the shelter, which was tiled in blue from top to bottom, resembled the cold interior of a butcher’s shop.” Then artist Miriam Kilali got her hands on it.

Before The Art Bubble Burst, It Was An Astonishing Year

“Art prices extended a seven-year surge for much of 2008, with a Claude Monet painting of water lilies, Lucian Freud’s portrait of a civil servant called Sue and a Francis Bacon triptych setting records. A 111.5 million pound ($162 million at current rates) sale of Damien Hirst works in September featured pickled unicorns, flying pigs and a golden calf with 18-carat hooves and horns.” Then, of course, everything changed.

MOCA’s New Chief Exec On Righting The Ship

Charles E. Young, UCLA’s chancellor emeritus and now MOCA’s first chief executive, “said he does not consider himself an ‘arts person,'” but he also doesn’t expect to have the job more than 18 months. “His goal at MOCA, he said, is to set about correcting financial and management problems that have plagued the museum. ‘We need to get it back into a position where you can go out and recruit a really top-flight director,’ he said.”