Charles To National Trust: Change HQ Design Or I Quit

“A senior royal aide told the trust and its architects that [Prince Charles] could not accept the design of a proposed £14.5m building in Swindon and said it should be changed or they would face the prospect of his stepping down as its president, according to a source involved in the project at the time. … Clarence House has no minutes of the meeting but said any argument was about the sustainability of the building.”

Charge: Capa’s Iconic Falling Soldier Was Staged

“After nearly three-quarters of a century Robert Capa’s ‘Falling Soldier’ picture from the Spanish Civil War remains one of the most famous images of combat ever. It is also one of the most debated, with a long string of critics claiming that the photo, of a soldier seemingly at the moment of death, was faked. Now, a new book by a Spanish researcher asserts that the picture could not have been made where, when or how Capa’s admirers and heirs have claimed.”

Shepard Fairey: Why I Protect My Building Against Graffiti

“I’m a champion of free speech. I think it is important for people to be able to speak freely, but if I’m watching a channel whose content is not my cup of tea I may choose to change the channel. It does not make me an opponent of free speech. Preferring my brick unadorned does not make me anti-graffiti. Every time I put a piece of art on the street I know it may be cleaned. That is the nature of the art form.”

Reimagining Penn Station (And Shooting For Greatness)

“The first shovel has been turned on the … $8.7 billion Mass Transit Tunnel from New Jersey that will double the number of passengers arriving from across the Hudson River” into Manhattan, though not at Penn Station. “With a little architectural vision, the tunnel could link with a spruced-up Penn and spur as much as 40 million square feet of commercial and residential development,” transforming “the far West Side the way Grand Central replaced a smoke-belching ditch with tree- lined Park Avenue.”

After Fifty Years, Land Art Grows Less Monumental And More Eco-Friendly

“Far from the macho, heroic projects that were the hallmark of the first generation of earth artists, – some of whom, like Michael Heizer, have spent close to 40 years moving tons of dirt to create massive, remote sculptural environments – ‘leave no trace,’ or at least, leave an ecologically enhancing trace, are the watchwords of many artists working in the field.”