Whitney Thinks Hard About The Problem Of Replicas

“How do you acquire or display a work of performance art that exists only in the form of an instruction sheet? What should conservators do about works that are deteriorating because they were made from unstable materials, such as neon, or sharks? If you want to exhibit a huge work of conceptual art,” should you have it shipped or “just get permission to make a copy?”

TMI, Guys: Art Reviews Are No Place For Your Sexual CV

“I don’t remember that after the first showing of Damien Hirst’s shark in formaldehyde … any of the critics shared their views on shark-fin soup, or revealed whether they shop from the Marine Conservancy endangered-species list.” So why have some male critics, reviewing the red-light district reproduction at the National Gallery, spilled about their sex lives?

Herzog & De Meuron’s Miami Museum Has The Art In Mind

“No architects have been more deeply or visibly embroiled … than the Swiss team of Jacques Herzog and Pierre de Meuron” in the struggle “to figure out the right balance between architectural expression and the need to showcase art.” Their design for the Miami Art Museum “breaks [outmoded] forms apart and then pieces them back together to create something wholly new.”

To Keep Shelter Open, Vt. Church To Sell Tiffany Window

“The church considered selling its pews; it had an appraiser value its bell. It also has three other stained-glass windows that church records say are Tiffany designs but which are not signed and are difficult to authenticate. The St. John window with its Tiffany Studios insignia was by far the most valuable and seemed the logical choice.”