The Bolshoi Unraveling

In the last 10 years, an artistic director, a general conductor, a musical director and four ballet artistic chiefs either have quit or been pushed out. When the musical head of the theater, Alexander Vedernikov, quit in 2009, he told the daily Izvestia that “the Bolshoi Theatre doesn’t possess any traits of an artistic organization.”

Fighting Back In The Culture Wars: Artists Need Broader Base

“Not only do those protecting free speech and artistic freedom need to be clever, they need to be better organized and bring in more allies, such as libraries.” Says one gallery director, “We have to get better at discourse and have discourse that can be at a level that is honest and in layman’s terms.” (Then why is she using the word “discourse”?)

End Of The Unique Museum?

“Over the past 15 or so years, some of the most original and idiosyncratic art institutions in the country — the Barnes, the ‘Getty Villa in Pacific Palisades, Calif., and the Isabella Stewart Gardner Museum in Boston — have embarked on major expansions to modernize (and in some cases, to generate more revenue), significantly transforming their identities.”

Playwright Lanford Wilson, 73

“Many of Wilson’s highly regarded plays” – Balm in Gilead, The Hot L Baltimore, Burn This – “probed the lives of lost, urban souls. Many of Wilson’s characters were desperate eccentrics whose fears and needs were invariably drawn with sympathy. But Wilson always seemed the most comfortable and revelatory when writing dramas set within a few hours’ drive of the Ozarks, the region of his birth.”