The Nutcracker‘s Stranglehold Is All But Squeezing Ballet Dry’

Sarah Kaufman says that, because U.S. companies are so utterly dependent on income from their annual Nutcracker runs, ballet in this country “suffers from a serious lack of confidence that is only growing more and more paralyzing. … Has ballet become so entwined with its Nutcracker image, so fearfully wedded to unthreatening offerings, that it has forgotten how eye-opening and ultimately nourishing creative destruction can be?”

When Universal Removed Black Actors From A UK Poster

“Studios make dumb decisions all the time. But … the real underlying issue behind these kinds of gaffes” is homogeneity among the higher-ups. “The decision-makers at studios are virtually all white, so they don’t see potential racial slights in the same light as they would if they had someone — anyone! — of color in the executive suite.”

‘The Most Anti-War War Game I’ve Ever Played’

There’s a “reprehensible message” underlying most war-themed video games: “Killing foreigners on behalf of one’s country is one hell of a good time.” But Call of Duty: Modern Warfare 2 is “a first-person shooter that plays as a tragedy, not a power fantasy[,]  … a murder simulator that won’t let you forget the nature of your actions.”