On Shakey Ground

“The Orlando-UCF Shakespeare Festival, which is changing its name June 1 to the Orlando Shakespeare Theater, informs us that we’re supposed to use the nickname Orlando Shakes,” writes criic Elizabeth Maupin. What’s with choosing your own nickname? “Yikes. And I’d like you to call me Queen Elizabeth. Please.”

A Spalding Gray Performance Piece, Sans Author

There is a cast of four; “surrounding them are stacks and stacks of composition books with black-and-white marbled covers — not the spiral notebooks [Spalding] Gray habitually laid on the table before disclosing his latest collection of innermost thoughts to the audience. These incongruities aside, the piece being rehearsed is indeed a new Spalding Gray work, but it is the first not to star the author, who leaped off the Staten Island Ferry in January 2004….”

‘Richard III,’ With Arab Folk Songs

Director-adapter Sulayman Al-Bassam has brought an Arabic “Richard III” to Stratford-upon-Avon. “The form has freed him to consider contemporary Arab politics in a way that would have been all but impossible without the refracting mirror of Shakespeare, said Mr. Bassam, 34, who is half Kuwaiti and half British. ‘You could write such a play,’ he said, musing on the notion of a present-day political work, ‘but you’d be best advised to set it in England in the 1400s.’ “

LA Hopes For Staying A Wicked Long Time

Los Angeles is not known for long theatre runs. But “Wicked” plans to stay a while. “Two years may sound like a tall order for a city in which theater people must ever grapple with the overweening presence of the film and television industry. What’s more, because few open-ended commercial engagements have done well here in recent decades, L.A. is sometimes touted as a tough town for sit-downs. Yet insiders predict success.”