What Comes Of Casting A Broadway Show On TV

“A funny kind of switcheroo happened on the road to Broadway. By using a TV program to cast the show’s leads, the producers have made the show feel like an adjunct of the TV program, like a season-finale-plus-one. But what has reached the stage of the Brooks Atkinson reminds me a lot of that moment in presidential politics when you watch the party nominee take the stage at the convention and think: Him?”

Citing Shakespeare For Bush’s Purpose

“The Washington Post recently featured a column in praise of Shakespeare’s plays,” written by former Bush speechwriter and current Bush adviser Michael Gerson. “In a way, Shakespeare has hovered over this administration from the beginning. After the 2000 recount, plenty of us hoped – we really had no choice – that Bush would turn out to be Prince Hal in Henry IV, the layabout brat who, on succeeding to his father’s throne, finds the maturity to lead. His presidency has indeed turned out to be like Henry V, but in reverse.”

Where The Twain Do Meet: Theatre In Religious Spaces

“Churches and theaters have been at odds for most of the last 500 years. So why are so many Dallas theaters moving into churches?” Not, of course, that “theaters designed to bolster faith” are unusual. “What’s different about the current crop of church-housed theaters is that they aren’t specifically religious in their programming. You can now put on your Sunday best, go to church, and see a play that doesn’t preach.”

West End Blames Olympics On Funding Downturn

London theatres say they are losing out on funding because of the Olympics. “There were plans to split the £250 million bill to renovate many West End venues between theatre owners and the government. However, it is no longer expected that Arts Council England, the Heritage Lottery Fund or the London Development Agency will be able to provide the anticipated £125 million cash injection towards the project until after the London 2012 Olympics, because of the strain the games are putting on public funding sources.”

Broadway Casting (“Grease”) In The YouTube Era

The latest Broadway revival of “Grease” used TV to find its stars. So how’d they do? “There’s the numbing sense of performers of undeveloped talent conscientiously doing what they have been told to do and failing to claim their parts as their own. The message of this latest ‘Grease’ is that anyone, famous or not, can star in a Broadway musical, a natural enough conclusion in the era of YouTube and ‘American Idol,’ when the right to be a celebrity is perceived as constitutional.”