Why Isn’t There More Science Fiction Theatre?

“As well as being regarded with a certain warmth, there’s also a sense of mistrust around the genre. Writers fear that it’s somehow a bit uncool – a bit 70s – and so we get interminable plays about Urgent Contemporary Issues rather than coolly speculative projections. It’s a shame. After all, some of the 20th century’s greatest literature was set in the future – consider 1984, Brave New World and A Clockwork Orange.”

A Stock Picker Trains His Eye On Broadway

Ted Shen and his foundation have spent more than $4 million subsidizing about 35 nonprofit musical theater productions and 10 cast recordings. “Like the research analyst Shen once was — he followed airline companies at DLJ in the late 1960s and 1970s — he has the philanthropic equivalent of ‘strong buy’ ratings on just a few composers he says are advancing the art form.”

National Student Drama Festival Shows Its Worth

“This year, students have discovered the drama of the fantastical and the grotesque. In an education system that has become increasingly utilitarian, they want an outlet for their creativity where they can shout and scream in pain or pleasure. The NSDF is a celebration of the imagination that for more than 50 years has made a real contribution both to the professional theatre and to generating an enthusiastic and informed audience. That is already a hard job. To make it harder by withdrawing public funding would be, well, grotesque.”

Theatre In A Place Of War

Colombia’s biennial International Theatre Festival took place in the capital city, Bogotá, this month. Just days before the festival opened, the Colombian government was very nearly dragged into a war with Venezuela. One cannot doubt, however, that even if hostilities had broken out, the event would have carried on regardless. “The first ever year of the festival we had a bomb. We just keep going.”