Jerrod Bogard says it wasn’t easy or fast to learn what a sexist playwright he was. When a director and producer asked him to make some changes, whew … he wasn’t into it. “My first response was confusion and anger. Being challenged to do better is uncomfortable.” – HowlRound
Category: theatre
Men Earn 60% More Than Women At Edinburgh Fringe: Study
“Their pay packet for the month is said to be nearly £200 more than for the average female worker — both on and off-stage. The disparity is despite the research finding that women are “dominating” almost every sector of the Fringe, apart from stand-up comedy.” – The Scotsman
Kirill Serebrennikov Directs His First Play Since Being Freed From House Arrest
Finally released from (repeatedly extended) home confinement on criminal charges many think are trumped up, the director has staged and sent to the Avignon Festival (he himself still can’t leave Moscow) a piece “based on my fantasies” titled Outside. – The Guardian
Faye Dunaway Fired From Broadway-Bound One-Woman Show After Assaulting Crew Members
Producers of Tea at Five, a solo show by Matthew Lombardo about Katherine Hepburn that had been in a pre-Broadway tryout in Boston, said that they had “terminated their relationship” with Dunaway and would take the show to London with a new star next year. If we can believe Michael Riedel’s report (seemingly confirmed by the playwright), Dunaway’s screaming at and slapping of backstage staff was part of a pattern of behavior reminiscent of soprano Kathleen Battle’s reign of terror in the 1990s. – New York Post
This Is Why West End Theatre Ushers Want Body Cameras
The Society of London Theatre is starting to provide front-of-house employees body cameras to record patron behaviour because of stories like these. “Ushers reported being spat and shouted at, being physically assaulted and having to break up fights between audience members themselves.” (And then there was “Poogate.”) – The Stage
L.A. Theatre Fires Director Five Days Before Play’s Opening, Cast Quits, Production Is Cancelled, And Questions Of Race And Privilege Remain
“On the day before the California premiere of Antoinette Nwandu’s Pass Over, a play about the harsh realities facing black men in America, Echo [Theater Company] staff on July 12 sent an email to patrons and posted a notice on its website: ‘Pass Over is not going to open due to internal artistic differences that cannot be reconciled.'” Reporter Makeda Easter looks into the mess. – Los Angeles Times
‘Radical Hospitality’ — Why Seattle’s Intiman Theatre Has Made All Its Tickets Free
“The initiative, artistic director Jen Zeyl explained, is about more than the standard theater problem of getting ‘butts in seats.’ (Though, of course, there’s that.) It’s about getting the butts one wants in seats — not just the people who can afford to take the $25+ crap shoot known as a theater ticket, but the people who can’t: the woman at the corner store, high-school sophomore, the guy asking for spare change on the sidewalk.” – The Seattle Times
Shakespeare In Canada, Set In India
It’s the first time a Bard on the Beach production has been set in India – and that’s a boon for Sarena Parmar, the woman playing Helena, who grew up one of very, very few kids of color in Kelowna, B.C. But the country has changed, she says. “Bard on the Beach has been making a push for diversity, but even so, this is the first time it’s had such a large South Asian cast. ‘We’re getting so many more South Asians coming to see the show and suddenly they can see themselves in the story in a way that maybe they couldn’t before,’ [Parmar] said.” – CBC
When Plays Have Rape Scenes, What’s The Right Thing To Do For Theatre Profs And Students?
Should a theatre prof be responsible for taking her students to a play that has scenes with violence and rape? And perhaps more to the point, does theatrical responsibility extend to warning those in the potential audience who have experienced gendered violence? (And finally, why are some people worried that warnings might be required – what’s it to them?) – Howlround
How Did The Mueller Report Become A Live-Theatre Sensation?
Well, there’s this: “Mueller report read-a-thons have become acts of civil disobedience, a way for artists to register their discontent by leveraging their most valuable currency: celebrity.” – Los Angeles Times
