Director Robert Falls Goes Minimalist

In the past few years, the director of Chicago’s Goodman Theatre has been generous with the scenery, covering the stage with enormous boulders for Desire Under the Elms or heaps of rubble for A True History of the Johnstown Flood. But with this fall’s staging of The Seagull, he’s dropping the fancy production values and concentrating entirely on his actors.

Why Les Miz Became A Hit

“It has played for 45,000 performances in 42 countries, been translated into 21 languages, including Mauritian Creole, Icelandic, Japanese and Hebrew. It’s all about Victor Hugo’s story. And it’s a story that’s entirely contemporary because it’s a brilliant observation of human nature.”

Why Do Theatres Take Any Risks?

“Artistic types are inherently risky people, and risk is the essential element in drama itself. But if the audience does not respond, risk can be the death knell to an organization that overextends, financially or creatively. It’s already an inherently fragile life: In just the past decade, 103 Colorado theater companies have died or gone dormant.”