Does Documentary Theater Distort Its Material? How Could It Not?

“[A play’s] subjects agree to testify for one reason: to set the record straight. And somewhere during the process from recording to page to rehearsal to stage, that record is bound to get distorted.” The problem is more than just selective editing. “[J]ust as an actor can never give the same performance twice, so too is it impossible to remain completely faithful to the play’s original subjects.”

In Sydney Theatres, The New “Offensive”

“Sydney theatre audiences are accustomed to notices posted in foyers warning of such hazards as smoke haze, herbal cigarettes, strobe lighting and loud noises. But recently these have expanded to include all manner of potentially objectionable content as a new generation of theatre-makers pushes the boundaries of what can be shown and theatre managements seek to insulate themselves against complaints.”

What’s The Next Act For Intiman Theatre?

“[L]ast weekend [Intiman’s board] canceled the rest of the long-standing Seattle theater’s 2011 season because of ongoing financial troubles. Soon the board, with input from local theater artists, supporters and funders, must answer the big existential question: Should Intiman continue to exist? Or work to settle its remaining $500,000 debt and call it quits?”