“Performer Harrison Knights is behind the venture, called Trans Voices Company, which aims to help address a lack of casting opportunities for non-cisgender actors.” – The Stage
Category: theatre
American Theatre Is Traumatizing Its Own Practitioners
Lauren E. Turner, founder of the New Orleans theatre company No Dream Deferred, says that she was deeply lucky as a kid. “I was taught creating space was my duty. The idea of what was out there and available for performers of color was accessible, and I knew there was power in being able to tell a different story in different ways. Had I not had that experience, I would have just assumed theatre was strictly for white people.” – HowlRound
As Arya Learned In Game Of Thrones, Swordplay Is A Lot Like Choreography
And that’s true in weapons and swordfighting theatre classes as well. Ask one student-turned-devotee: “In theatrical swordfighting, you’re following choreography and working with your partner and trying to avoid contact unless it’s part of the routine. It’s just like dance. Except there are more pointy objects.” – San Diego Union-Tribune
A Conversation Between Lynn Nottage, Pulitzer Prize-Winner For ‘Sweat,’ And Jeremy Harris, Who Wrote ‘Slave Play’
Nottage: “Yes, I have to go sometimes to where my audience is, rather than being confined by the proscenium—which forces us to have a certain level of engagement, which means I have to sit very quietly in the dark while these people speak at me. There isn’t always a conversation.” – Vogue
Making Theatre (Or Not) During Chile’s Crisis
Chilean playwright and director Guillermo Calderón: “After the curfew was over, a few theatres came back to do shows and a lot of people went to see them. … People were yearning for a sense of community and space to talk and vent and try to find some sort of solidarity … [Even so,] there has been an overwhelming sense here among theatre artists that it’s impossible to do theatre right now. … How can we say anything that’s going to really mean something at this moment? I mean, we’re in the context of a quasi civil war, right?” – HowlRound
Study: Small Theatre Companies Generate $584 Million Economic Impact
A new study, commissioned by the mayor’s office and released on Wednesday, finds that the city is home to 748 Off Broadway and Off Off Broadway theater organizations responsible for 3,000 jobs. But there is also quite a bit of churn: The study reveals that more than 280 theater organizations were established in the city since 2011, while more than 100 closed. – The New York Times
‘This Is One Of The Best Times Ever To Be A Black Creative’ In Theatre, Says One Of UK’s Top Directors
Kwame Kwei-Armah, artistic director of the Young Vic in London (and former artistic director of Center Stage in Baltimore): “People are listening in a way they didn’t 10 years ago, 20 years ago, and history has taught us that they certainly didn’t listen any time before that.” – Backstage
$80 Million: Chicago Storefront Theater’s Contribution To Local Economy
“What of the storefronts, those famous Chicago institutions where a full house can mean 80 people and where artists frequently toil for little or even no compensation? Can they claim a significant economic impact?” Oh yes, writes Chris Jones. – Chicago Tribune
Playing On Broadway… But What, Actually, Is Broadway?
The Times Square area was never the exclusive preserve of theatergoers, but Broadway culture elevated the neighborhood’s rough and raffish character. Today, not even all Broadway theaters have Broadway theater happening inside them. – Los Angeles Times
Thornton Wilder’s ‘Seven Deadly Sins’ Cycle Will Finally Be Performed Complete
The production presented this week at Suffolk University in Boston, is, according to Wilder’s estate, the first time all seven one-acts will be performed together in a single program.” – American Theatre
