American Theatre Is Traumatizing Its Own Practitioners

Lauren E. Turner, founder of the New Orleans theatre company No Dream Deferred, says that she was deeply lucky as a kid. “I was taught creating space was my duty. The idea of what was out there and available for performers of color was accessible, and I knew there was power in being able to tell a different story in different ways. Had I not had that experience, I would have just assumed theatre was strictly for white people.” – HowlRound

As Arya Learned In Game Of Thrones, Swordplay Is A Lot Like Choreography

And that’s true in weapons and swordfighting theatre classes as well. Ask one student-turned-devotee: “In theatrical swordfighting, you’re following choreography and working with your partner and trying to avoid contact unless it’s part of the routine. It’s just like dance. Except there are more pointy objects.” – San Diego Union-Tribune

A Conversation Between Lynn Nottage, Pulitzer Prize-Winner For ‘Sweat,’ And Jeremy Harris, Who Wrote ‘Slave Play’

Nottage: “Yes, I have to go sometimes to where my audience is, rather than being confined by the proscenium—which forces us to have a certain level of engagement, which means I have to sit very quietly in the dark while these people speak at me. There isn’t always a conversation.” – Vogue

Making Theatre (Or Not) During Chile’s Crisis

Chilean playwright and director Guillermo Calderón: “After the curfew was over, a few theatres came back to do shows and a lot of people went to see them. … People were yearning for a sense of community and space to talk and vent and try to find some sort of solidarity … [Even so,] there has been an overwhelming sense here among theatre artists that it’s impossible to do theatre right now. … How can we say anything that’s going to really mean something at this moment? I mean, we’re in the context of a quasi civil war, right?” – HowlRound

Study: Small Theatre Companies Generate $584 Million Economic Impact

A new study, commissioned by the mayor’s office and released on Wednesday, finds that the city is home to 748 Off Broadway and Off Off Broadway theater organizations responsible for 3,000 jobs. But there is also quite a bit of churn: The study reveals that more than 280 theater organizations were established in the city since 2011, while more than 100 closed. – The New York Times