Strange Drama Behind Broadway’s Rebecca: Did The Mysterious Lead Investor Actually Exist?

“Start with a rich investor unknown to clubby Broadway insiders – a mystery man named Paul Abrams. Go on to the astounding sum he is said to have promised to raise for Rebecca: $4.5 million … Then: Reports in August of his sudden death in Britain of malaria – yet no obituaries, no death notices. A representative for the Abrams estate surfaces … who refuses to speak by phone and uses an e-mail address created just last month.”

Making Theatre Into A ‘Social Enterprise’

Wayne Ingram of Tap the Table Theatre: “Most theatre companies are looking to create social change – they make work that reflects society and try to communicate messages they hope will make a difference. But for many theatre companies it’s all about putting on a show, and social change is often a by-product. What we do differently is make social change the sole driving force behind what we do.”

Portraying The Making Of Art Onstage (It Ain’t Easy)

“For the most part, dramatized lives of the artists – on film as well as on stage – are flat-out embarrassing when our hero is shown in the Act of Creation. This usually involves some tortured-looking actor staring at a blank surface … eyes aflame and brow furrowed like a freshly plowed field.” But sometimes, writes Ben Brantley, folks get it right.