Wau Wau Sisters Receive Threats Over Last Supper Parody (See? Christians Do It, Too)

Visitors to the New York burlesque duo’s performances at the Brisbane Festival in Australia last week had to be screened with metal detectors after threats from hard-right Christian groups angry at the show’s title (The Last Supper) and content (which ranges from nude dancing to a schoolgirl-themed skit to a mock crucifixion).

Broadway Rebecca Is Cancelled, And The Lawyers Get Busy

“A lawyer for the lead producer of the recently canceled Broadway musical Rebecca said on Monday that criminal investigators had interviewed his client, Ben Sprecher, about the murky circumstances surrounding the last-minute loss of $4.5 million in investor financing.” Many other individuals involved in the show have retained attorneys as well.

London’s National Theatre Sets Income Record

In 2011 it earned £80 million. “This increase in total income from last year’s £70.6 million coincides with an improvement to average levels of attendance at the South Bank venue, which have gone from 90% in 2010/11 to 92% in 2011/12. In the past financial year, which ran to March 31, 2012, the National staged 23 new productions, of which 12 were new plays. It put on nearly 1,800 performances in London and the report shows that around a third of its audiences were first-time bookers.”

Russian Theater Cancels Jesus Christ Superstar Over Blasphemy Charge

“Saint Petersburg’s Rock Opera company was to perform the Andrew Lloyd Webber musical – a 1970s classic that has been regularly performed in Russia – at the Philharmonic in the southern city of Rostov-on-Don on October 18. However prosecutors launched a probe after a group of local residents complained that the musical presented a distorted image of Jesus Christ.”

Down With Entrance Applause! Clap When An Actor Has Earned It

Kate Taylor: “I don’t object to entrance applause on the grounds it isn’t proper etiquette. … I don’t object on the grounds it breaks the illusion of theatre. … Instead, I object to entrance applause because it is a nasty manifestation of a celebrity-obsessed culture that, tautologically, takes an actor’s fame as a measure of his achievement rather than judging his current performance.”

In Praise Of Entrance Applause: It’s A Part Of The Art Form

Kelly Nestruck: “When a famous performer … walks on stage, the waking dreamworld is broken for a moment whether you want to admit it or not. Entrance applause seems to me a natural acknowledgment of that rupture, especially since so many of us really go to the theatre for two reasons: to see a particular actor and to see the show they’re in.”